Robertmontgomary

Robert Montgomery

Words by Will Hudson, Thursday 02 June 2011

“Robert Montgomery works in a poetic and melancholic post-situationist tradition”, or so says his website. The work is great though and spans large typographic billboard pieces, recycled sunlight pieces and drawings.

“Evolve or die”: Bloomberg Businessweek creative director Rob Vargas on the magazine’s redesign 16 June 2017
Southbank Centre visual identity redesigned by North, to be a “confident masthead” for the institution 19 June 2017
Photographer Khadija Saye has died in the Grenfell Tower fire, her family confirm 16 June 2017
The Buzzfeed redesign: UK art director Tim Lane talks us through his seven-month overhaul 19 June 2017
Alex Norris’ hilarious three-panelled webcomics are universally appealing 21 June 2017
Fresh Yale grad Franci Virgili applies an academic approach to graphic design 20 June 2017

Work / Art Natacha Paschal’s “deformed” interpretations of mag covers and fashion ads

Artist Natacha Paschal re-appropriates glossy magazine covers, fashion imagery and adverts by painting her own “deformed” versions with wonky faces and bemused expressions. After studying graphic design, Natacha took to painting for a different pace of making work.

Rebecca Fulleylove — 22 June 2017
Work / Art Brian Lotti celebrates the commonplace in his personable paintings

Brian Lotti is a name you may recognise from his skateboarding career in the 80s and 90s. However over the last number of years Brian has been painting in Los Angeles, using “varied swathes of vibrant colour, quick staccatos and heavy impasto strokes to create urban landscapes that capture the spontaneity of light and movement in his immediate environment”.

Lucy Bourton — 20 June 2017
Work / Art Artist Michaela Younge’s NSFW felt tableaux

“I started making my felt pieces about a year ago, and they came about from an idea I had been toying with while I was looking at flat colours of felt, and wanted to create ‘tapestry-type’ work,” Cape Town-based artist Michaela Younge explains. After graduating from Michaelis School of Fine Art in 2015, where she tells us she was working mainly with sculptural and print-based work, Michaela began experimenting with tapestry, using felt to tell elaborate stories via tableaux. “Working with wool fibre has allowed me to experiment with ideas that I have wanted to create but that I didn’t feel I had a medium through which to accurately portray them,” she notes.

Bryony Stone — 20 June 2017
Work / Art Christabel Forbes depicts the community, colours and bustle of Modinagar, India

As an artist inspired by the day-to-day goings-on of public space, Christabel Forbes found a wealth of new inspiration when on residency in India. Part of the Royal Drawing School and International Institute of Fine Arts programme that selected four artists for the residency in Modinagar, a small village near New Delhi, Christabel looked to soak up the atmosphere.

Jenny Brewer — 16 June 2017
Work / Art Anthony Gerace presents “And Another Thing …”: a new book of artworks and collages

Artist Anthony Gerace presents his new monograph And Another Thing… a collection of artworks and collages spanning the last seven years. The book, published by Ain’t Bad editions, contains 128 pages of work and is printed in a limited run of 700 copies. “What I wanted to do with this book was present where the work was going and the work I have been dealing with for a long time,” the artist explains. The book contains collages executed with precision and control, providing a wealth of information that can be interpreted at speed, or carefully picked apart and decoded. Each work is unified by a precision and depth that demands attention from the reader.

Owen Pritchard — 15 June 2017
Work / Art Geetha Thurairajah’s tablet-drawn paintings question art history and its meaningfulness

Artist Geetha Thurairajah’s paintings are “theatrical spaces that exist in a state of inbetweenness”, operating in both the digital and physical world, they are at once representational and abstract. “I am interested in playing with the logic of symbols, forcing them to operate in often contradictory ways,” explains Toronto-based Geetha. “For instance, birds in the far distance will sit on top of the painting as impastoed paint or the lines that represent movement on a tipping coffee cup will be frozen in time and space.”

Rebecca Fulleylove — 15 June 2017