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A collection of blue and white business cards for The Jewish Museum. Some cards feature the museum name in a bold white typeface, while others show contact details and a line drawing of a building.

Graphic Design: Sagmeister & Walsh create striking identity for New York's Jewish Museum

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Date
29 April 2014

Sagmeister & Walsh are not known for doing things the easy way, and their latest work for New York’s Jewish Museum is no exception. With a collection comprising 30,000 objects and a challenging mission to engage a broad inter-generational audience, the museum needed a new look and feel across print, physical and digital collateral that would reflect and enhance its modern role.

Sagmeister & Walsh say: “Our goal in rebranding the museum was to connect the historic and contemporary. The new identity system we created is founded on sacred geometry, an ancient geometric system from which the Star of David was formed. The entire branding system is drawn on this grid, from the word and logo mark, to dozens of patterns, icons, typography, and illustrations. This system invites surprise and flexibility across all media, while always unified in visual language.” 

In order to incorporate photography into the new identity, they even built an app that processes any photo or webcam stream through the same geometric parameters and turns it into “a Jewish Museum illustration.”

It’s intelligent, powerfully communicative and great-looking; in many ways an archetypal Sagmeister & Walsh project.

White typographic text on a bright blue background reads “Jewish Museum”. The lettering is styled with sharp, angular lines.
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Sagmeister & Walsh: Jewish Museum identity

A blue hexagonal logo on a light grey background. Inside the shape, the letters “HM” are rendered in a white, stylised serif typeface.
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Sagmeister & Walsh: Jewish Museum identity

An animation in which a white card reading “Jewish Museum” on a blue background opens to reveal a blue and white geometric pattern. The inside of the card features a small logo and a block of address text.
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Sagmeister & Walsh: Jewish Museum identity

Two large digital posters for the Jewish Museum hang on a white tiled wall in a subway station. Each features a classical painting framed by a bold blue border and a large, stylised white and blue “jm” logo.
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Sagmeister & Walsh: Jewish Museum identity

A desktop computer, tablet and smartphone display the website for the “Jewish Museum”. The screens show a clean, modern layout with a large image of a geometric art installation.
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Sagmeister & Walsh: Jewish Museum identity

A digital interface titled “Photo Application” shows a side-by-side comparison of a portrait. On the left is a clear photo of a person in a red T-shirt and glasses; on the right, the same image is rendered as a low-poly geometric illustration.
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Sagmeister & Walsh: Jewish Museum identity

A collection of white gift bags and boxes with blue patterns and handles, set against a bright blue background. The bags and boxes feature a line drawing of a building and the words “Jewish Museum”.
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Sagmeister & Walsh: Jewish Museum identity

A grid of blue and white squares featuring various typographic experiments. Each square contains a stylised version of a letter from the word “Shaloms”, using geometric patterns, line work and 3D effects.
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Sagmeister & Walsh: Jewish Museum identity

A black and white geometric illustration of a repeating pattern. Overlapping circles and straight lines create a grid of floral, flower-like shapes.
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Sagmeister & Walsh: Jewish Museum identity

A black and white geometric illustration featuring a repeating pattern of interlocking circles and straight lines. The design creates a series of symmetrical, diamond-shaped cells across the frame.
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Sagmeister & Walsh: Jewish Museum identity

A pixelated typeface featuring uppercase and lowercase letters and numbers from 0 to 9. Each character is formed by a grid of small black diamond shapes on a light grey background.
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Sagmeister & Walsh: Jewish Museum identity

A geometric typeface featuring a lowercase alphabet and numerals from 0 to 9. The black characters are constructed from thick, angular lines on a light grey background.
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Sagmeister & Walsh: Jewish Museum identity

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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