Sometimes a person is born with so much talent bestowed upon them that their very existence makes you struggle to breathe. Every time I look at Sam Vanallemeersch’s illustration I feel as if all the air has been sucked out of the room and my stomach falls away, provoked by the knowledge that I’ll probably never be able to come close, in anything, to the level of excellence he manifests in each drawing.
To add insult to injury Sam’s actually got two honed styles of illustration under his belt; the intoxicating scribbled layers that are on show here, and a polished, vector style that’s evocative of the very best of Russian Constructivism mixed with Flemish ligne claire (we’ll remind you of that another time). As much as his excellence depresses me by highlighting my own shortcomings I can’t help but adore Sam’s work, as you can probably tell from this gushing ramble. Great stuff!
- Kyle Platts and Andy Baker's animation takes us on a kaleidoscopic trip through the park
- Casper Balslev shows ballerinas wielding AK-47s in his ad for the Royal Danish Theatre
- An unusual custom typeface and great layouts for new print mag Migrant
- Bold, minimal-leaning graphic design from hot new studio Vrints-Kolsteren
- Daniel Savage’s monochrome animation plays with geometry and space
- Waverly Labs launches an earpiece that translates languages in real time
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Arne Svenson’s portraits of his New York neighbours taken through apartment windows
- Milton Glaser: we talk drawing, ethics, Shakespeare and Trump with the graphic design legend
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Strange posters and superb typography from Venetian studio Tankboys
- Should designers specialise early, or have a “portfolio career”?