What Sam Winston doesn’t know about text and experimental typography isn’t worth knowing. The London-based artist and educator has spent his working life examining the way we approach all manner of literary artefacts, from giant dictionaries to the works of William Shakespeare, finding new and innovative ways for his audience to engage with text in a visually intuitive fashion. For an upcoming show at the V&A, Sam has been commissioned to produce work in response to a specially written piece by the author Hari Kunzru, illustrating the text in a fashion that references mankind’s worship of the periodic table through a combination of western scientific symbolism and eastern religious geometry. The final works are totemic slabs of zinc, deeply etched with Sam’s trademark typographic flair.
Sky Arts Ignition: Memory Palace runs at the V&A from 18 June – 20 October 2013.
- Meet the speakers: Hollie Fernando, Andrew Rae, Raine Allen-Miller and Random International
- Political illustrator Ellie Foreman-Peck on her unfortunately abundant Trump back catalogue
- Deep Throat Studio, a graphic design practice with a name and portfolio to grab your attention
- Photographer David Gomez Maestre captures the romance of sun-blushed landscapes
- ECAL grad Jean-Vincent Simonet’s “totally twisted” image-making
- Benedict Brink is shaking up fashion photography
- BBC’s new typeface BBC Reith is designed to improve legibility on screen
- Life through the lens of enchanting photographer Vicki King
- The New York Times Magazine’s new cover is actually a painting
- Illustrator Ram Han’s Alice in Wonderland dreamscape
- Ikea uses ASMR technology in 25-minute, tingle inducing advert
- Designs of the Year 2017 shortlist includes Wolfgang Tillmans’ Remain campaign, the Refugee flag and Me & EU