We make no bones about our continued love for Sarah Illenberger – the Berlin-based set designer is simply one of the best in the business. There’s a consistent syntax to her visual language but she is also constantly, delightfully surprising, and this new work for Architectural Digest is no exception – beautiful composition meets arresting intrigue.
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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.