Every so often I sit in my modest London flat and allow myself to dream up fantasies of my ideal house, complete with its bourgeois paint-job, high ceilings and sash windows. But when I crash back down to reality, my am I thankful for posters, making the walls of otherwise drab rooms homely, colourful and beautiful since as long as I can remember. I owe my fondness of each of my humble little abodes all to posters.
But when it comes to making really really fantastic posters, Italian artist Sarah Mazzetti does it just perfectly. With her selection of beautifully scatty and colourful designs her illustrations show no end of talent and creativity. Made complete by her distinctive scrawly typography, it’s her obvious diversity however that really makes her stand out from the crowd. Using block colours one minute and then switching to intricately detailed designs the next, I think it is safe to say that Sarah Mazzetti is one talented lady and I know if I had it my way, her posters would most definitely be lining my walls.
- Thomas Prior captures a Mexican festival involving exploding sledgehammers
- The misty-eyed and delicate pencil marks of Lee Kyutae
- Build’s brand identity for product design brand Plæy mirrors its playful and modular designs
- David Bailey's photographs of NW1, republished and exhibited for the first time
- Studio Mut creates a catalogue for Italian art prize that celebrates up-and-coming artists
- A forward-minded retrospective: behind the design of the massive Cedric Price monograph
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich