Illustrators who can create enormous stream-of-consciousness fuelled drawings never fail to amaze me, especially when they work with the fervour that Shantell Martin exudes at every opportunity. This short interview, produced by Sky Dylan-Robbins and posted by the New Yorker is entitled Follow the Pen, a notion which demonstrates exactly the infallible trust which powers her work. Illustrating everything from shoes, airplanes and walls to shirts and motorcycle helmets, Shantell’s studio resembles exactly what I imagine the inside of her brain to look like. Strictly monochrome, and covered from floor to ceiling in the thick black outlines she has made her own. It’s quite something to behold.
“The pen knows where it’s going, and I’ve gotten very good at following,” she explains. Looks like we’ve got no choice but to trot along after her, too.
- Helen Eunhwa Oh’s vivid illustrations draw the eccentricities from everyday life
- Diane Deschenaux’s abstract images explore Switzerland's farming industry
- Is postgraduate study right for you? A handy guide to help you decide
- Jan Novák’s conceptual typefaces and identities are both functional and clear
- Parisian studio Akatre on their music video for Grand Yellow
- Max Baitinger’s comic Birgit illustrates the ballsy decision to quit your job
- Alex Norris’ hilarious three-panelled webcomics are universally appealing
- Pigalle, Ill-Studio and Nike have redesigned the Paris Duperré basketball court
- Leipzig graphic design studio Lamm & Kirch on their shared ethos
- Instagram co-founder Mike Krieger on how to stand out
- From Lemon Twigs to Laura Marling: Hollie Fernando’s painterly photography folio
- Why materials matter: Seetal Solanki on the Grenfell Tower tragedy