A few years back, whenever I was in Topshop I used to take one of their “Students get 10% off” cards, not for the patronising (but welcome) discount, but because I could not resist the very sweet, candy-cloured design of the flyer. So when the portfolio of Shaz Madani came through to us yesterday you can only imagine my glee to find the image of that little flyer tucked in a corner of her website.
This sort of pleasant surprise crops up throughout Shaz’s work, where around many corners you can find beautifully designed pieces that you’ve always admired but never knew who was responsible for. A good example of this is issue four of the ever-brilliant Elephant magazine to which Shaz contributed her design and art direction skills, and of course the magnificent Wellcome Trust window display which was one of the most perfectly executed and informed window displays London has ever seen. Throughout her work, Shaz has the enviable ability to take a huge range of briefs and attack them with a kind of humble grace and classic design knowledge that is increasingly hard to come by.
- "Where’s my community?": Skin Deep and POC on the need for diversity in the film industry
- Jee-ook Choi conveys complex ideas using fine linework and muted colours
- Photographer Mehdi Lacoste on working with Actress
- French designer Victoire Coyon’s understated portfolio
- Unit Editions’ upcoming book on the unparalleled work of Paula Scher
- A creative composite of illustration: ten years of Christoph Ruckhäberle’s Lubok
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label