A few years back, whenever I was in Topshop I used to take one of their “Students get 10% off” cards, not for the patronising (but welcome) discount, but because I could not resist the very sweet, candy-cloured design of the flyer. So when the portfolio of Shaz Madani came through to us yesterday you can only imagine my glee to find the image of that little flyer tucked in a corner of her website.
This sort of pleasant surprise crops up throughout Shaz’s work, where around many corners you can find beautifully designed pieces that you’ve always admired but never knew who was responsible for. A good example of this is issue four of the ever-brilliant Elephant magazine to which Shaz contributed her design and art direction skills, and of course the magnificent Wellcome Trust window display which was one of the most perfectly executed and informed window displays London has ever seen. Throughout her work, Shaz has the enviable ability to take a huge range of briefs and attack them with a kind of humble grace and classic design knowledge that is increasingly hard to come by.
- Oliver Jeffers, Yuri Suzuki, Anna Ginsburg and Jimmy Turrell at Nicer Tuesdays
- An exercise in colour and control: David Hockney’s 82 portraits and one still life at the RA
- Woodstock 1969 immortalised on film by iconic photographer Baron Wolman
- Laurina Paperina's dark, weird but charming work
- Studio Frith creates Patti Smith-inspired identity for the inaugural Art Night festival
- Cindy Yang’s poignant animation questions the routine and mundanity of life
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- The Imperfection Booklets by O.OO explain the nuances of Risograph printing
- Reactions to the referendum and our weekly Best of the Web
- Babak Ganjei paints 90s sitcom sitting rooms. But which one's which?
- Pop, subcultures and the future of graphic design: an interview with Experimental Jetset
- Oliver Curtis photographs the world’s most famous monuments, the wrong way round