A few years back, whenever I was in Topshop I used to take one of their “Students get 10% off” cards, not for the patronising (but welcome) discount, but because I could not resist the very sweet, candy-cloured design of the flyer. So when the portfolio of Shaz Madani came through to us yesterday you can only imagine my glee to find the image of that little flyer tucked in a corner of her website.
This sort of pleasant surprise crops up throughout Shaz’s work, where around many corners you can find beautifully designed pieces that you’ve always admired but never knew who was responsible for. A good example of this is issue four of the ever-brilliant Elephant magazine to which Shaz contributed her design and art direction skills, and of course the magnificent Wellcome Trust window display which was one of the most perfectly executed and informed window displays London has ever seen. Throughout her work, Shaz has the enviable ability to take a huge range of briefs and attack them with a kind of humble grace and classic design knowledge that is increasingly hard to come by.
- Boot Boyz Biz: promoting community, not commodity
- Waving goodbye to July with our weekly Best of the Web
- The classical and the crude combine to represent the multiple facets of The Arab City
- Parquet Courts’ Andrew Savage on the interchanging influence of art and music
- Thee Drinkers: New exhibition conveys the joys and despair of having a few too many
- August Diary: where to go and what to see
- Benedict Redgrove’s beautifully hypnotic film about how a tennis ball is created
- Tommy Cash subverts the tropes of rap videos with a fleshy celebration of the human body (NSFW)
- Ian Davis’ picturesque paintings of bureaucratic dystopia
- Is it ever OK to work for free?
- Pentagram unveils refresh of Mastercard’s brand mark and identity
- Peter Saville and Tate Design Studio create beer can artwork for Switch House pale ale