It’s rare that I get to write about a book that I’ve just ordered with my own cash money. Usually kind people send us all the comics and design books we could ever dream of to read and review, but I couldn’t take the gamble that Simon Hanselmann’s latest offering might sell out before I got a chance to see it, or that I’d have to shelve it in the office archive for good. So it’s on the pre-order and when it arrives I’ll set aside a weekend afternoon to read it from cover to cover, because Megg and Mogg deserve my undivided attention while they drop acid in their grubby little flat and throw up on each other. My GOD I’m excited!
For those of you not previously indoctrinated in Simon’s ways, he’s a reimaginer of classic children’s story Meg and Mog, casting the mischievous witch and her pets as suburban junkies. His dialogues are laugh-out-loud funny, in the same way that early Kevin Smith films were, but perhaps ten times more hilarious. Anyway, I’m thrilled to let you know about Life Zone’s arrival in the world. Now go and buy it at once to encourage Simon to produce some more. AT ONCE!
- Cheeky, irreverent and vivid illustrations by Thomas Hedger
- Brilliant branding and a cracking It’s Nice That collaboration: introducing Unmade
- Director collective Canada creates raunchy, psychedelic video for Tame Impala (NSFW)
- Stylish designs that aim to make online gift-buying as fun as "walking around a concept store"
- Alex Sheridan’s hilarious shots of comedian David O’Doherty in sports memorabilia
- Cult magazine Nova and its nods to “eroticism and extortion” photographed in a suitably 70s setting
- Anthony Burrill tells us about his numerous Etsy WORK HARD rip-offs
- “I wouldn’t recommend trying to make it as an illustrator to anyone”: straight-talking McBess
- Jonathan Barnbrook talks us through designing David Bowie's new album artwork
- Japanese illustrator Nimura Daisuke is back with his charmingly naughty gifs
- Colourful masses with a Memphis aesthetic in Mariano Pascual’s illustrated alphabet
- Making branding with a purpose: what can we learn from the Bauhaus?