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Four large posters for the Mucem museum are displayed along a white tiled wall in a subway station. The posters feature bold typography and images of art and architecture, including the names “Picasso” and “Genet”.

Spassky Fischer’s colourful overhaul of Mucem’s graphic communication system

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Date
11 July 2016

Paris-based design agency Spassky Fischer have followed up their stylish previous offerings for publishing house Flammarion by designing a new communication system for Mucem (Musée des Civilisations de l’Europe et de la Méditerranée) in Marseille.

Having won the brief earlier this year, against stiff competition, the brief called for full graphic refresh of Mucem’s communications instituting a new typeface, design language and colour palette across all its printed and digital media. One exception to this total overhaul was Mecum’s logo, designed before Spassky Fischer won the account: “As we designed the posters, we made the previous logo disappear, and changed all the graphic rules. So, at the end of the day, we designed the identity, but without a logo,” say the designers.

The attention-grabbing deliverables range from the print advertising and Parisian Metro post campaign, to the interior and exterior signage for the museum, and all printed materials (brochures, maps, calendars, leaflets). “We want the name of the museum to be read equally to the rest of the text,” they explain.

Offering a full-service job, Spassky Fischer explain: “most of the pictures are made by us, to get a coherent direction.” These are presented in montage throughout, overlaid with the Neue Haas Grotesk typeface, and contoured with bold blocks of primary and secondary colour. “Colour is used to make signal. “The system we developed is based on three basic elements — word + photography + colour…It’s the presence of the colour that make it identifiable,” say Spassky Fischer.

Spassky Fischer are due to launch a complete overhaul of the website, applying these newly designed conventions in the coming weeks. “The Mucem is a National Museum, so it’s a great opportunity for us to work at a larger scale. What you see here are the first steps of a long term collaboration.”

An open book displays a bold typographic layout with the words “La rencontre des publics” split across four lines. Beside it, a brochure shows two pages of colourful data visualisations using large blocks of blue, green, red and yellow.
Above

Spassky Fischer: Mucem’s annual report

A light-coloured stone building stands beside a deep blue sea under a clear sky. Two tall banners hang from the facade, one reading “Jean Genet L’échappée belle” and the other “Informations Billetterie”.
Above

Spassky Fischer: Mucem’s exterior signage

A typographic poster hangs on a white wall above a radiator and houseplants. The poster features the word “Museum” split across three lines, layered over a grid of bright colours and black and white photography.
Above

Spassky Fischer: Mucem poster (unfolded cover of the annual report)

A collection of exhibition brochures and maps for a Picasso show at Mucem in 2016. The printed materials feature a bright colour palette of yellow, blue, pink and green, alongside various artworks and photographs.
Above

Spassky Fischer: MucMucemeum printed materials (maps, leaflets, brochures)

Two brochures with a bold, geometric design in red, blue and white. One is open to a page of text titled “Plan B, le QG”, while the other shows the cover with the words “Plan B Mucem”.
Above

Spassky Fischer: Mucem printed materials (exhibition catalogue)

Three colourful booklets for Mucem, each split horizontally into two contrasting colours. They are titled “Mucem Mars–avril 2016”, “Mucem Mai–juin 2016” and “Mucem Été 2016”. Open pages below show a layout of French text and a calendar of events.
Above

Spassky Fischer: Mucem printed materials (exhibition brochures)

Two copies of a report for Mucem, titled “Rapport d’activité 2015”. One cover is split between blue and red, while the other is white with a pink base.
Above

Spassky Fischer: Mucem printed materials (annual report)

A diptych of two black and white photographs. On the left, a metal cup tipped on its side spills a mound of black sand. On the right, a long staircase with a thin railing winds up a rugged, rocky cliff.
Above

Spassky Fischer: Photographs for use in Mucem printed materials

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About the Author

Jamie Green

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Jamie joined It’s Nice That back in May 2016 as an editorial assistant. And, after a seven-year sojourn away planning advertising campaigns for the likes of The LEGO Group and Converse, he came back to look after New Business & Partnerships here at It’s Nice That until September 2024.

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