When it comes to mural painting there’s no image too big or too daunting for Stephen Powers to broach; giant Post-It notes splayed across several stories, roller-coasters, stair-sets climbing the entire length of buildings. His work adorns structures all over the world, and always with an unrelenting palette of vibrant colours, strong type and joyous messages, making it immediately recognisable whether or not you know his name.
This excellent new publication, A Love Letter to the City celebrates all of that celebrated giant typography that you might be familiar with without having realised it, plus a stack of other equally impressive projects that you had no idea existed. The result is a testament to positive effects of public art; in a stadium of grey tower blocks his letter stand out with tongue-in-cheek, funny or just plain nice messages to make everybody’s days a little nicer.
- American Studies: Jeremy Liebman unpacks his father’s photography archive
- Christian Pardini's Studio Flat creates neat type-based posters, postcards and identity design
- Lynnie Zulu decorates her exotic characters in punchy hues and patterns
- Production Type and Large’s confident and consistent designs for electronic music mag Trax
- Mark Manzi makes a spectacle of spectators at the Queen’s 90th Birthday
- New work from Supermundane show Everything Connects
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- The Imperfection Booklets by O.OO explain the nuances of Risograph printing
- Reactions to the referendum and our weekly Best of the Web
- Babak Ganjei paints 90s sitcom sitting rooms. But which one's which?
- Pop, subcultures and the future of graphic design: an interview with Experimental Jetset
- Oliver Curtis photographs the world’s most famous monuments, the wrong way round