When it comes to mural painting there’s no image too big or too daunting for Stephen Powers to broach; giant Post-It notes splayed across several stories, roller-coasters, stair-sets climbing the entire length of buildings. His work adorns structures all over the world, and always with an unrelenting palette of vibrant colours, strong type and joyous messages, making it immediately recognisable whether or not you know his name.
This excellent new publication, A Love Letter to the City celebrates all of that celebrated giant typography that you might be familiar with without having realised it, plus a stack of other equally impressive projects that you had no idea existed. The result is a testament to positive effects of public art; in a stadium of grey tower blocks his letter stand out with tongue-in-cheek, funny or just plain nice messages to make everybody’s days a little nicer.
- Milou Trouwborst's refined, simplistic and melancholic illustrations
- "It was strangely liberating" – Christoph Niemann on creating his new book Sunday Sketching
- Designer Okuyama Taiki encourages you to “play freely” with his experimental posters
- Gijs Henselmans’ illustrations: absurd, gruesome, but always hilarious
- All That Glitters: inside the Barbican’s “vulgar” catalogue
- Graphic designer Fraser Muggeridge talks to us about his favourite books
- Bompas & Parr explores the strange world of sploshing (NSFW)
- Working Not Working reveals the top 50 companies creatives would kill to work for
- Kodak returns to its 1970s symbol, joining the retrobrand bandwagon
- Kodak unveils the Ektra: its first ever smartphone
- Retracing and recreating historic reggae record sleeves with photographer Alex Bartsch
- William Knight's socially conscious portfolio of graphic design