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Poignant short on life, death and dance with Bowie and Kate Bush’s choreographer

Date
15 December 2015

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Musing on movement as freedom and the ravages of age on the body, this short directed by Adrian Sibley is one of the most affecting things I’ve seen all year, and that’s before you even get to the bit about its star’s backstory. The film, entitled Stopping Time, documents dancer Lindsay Kemp, a seminal figure in the world of choreography having taught David Bowie and Kate Bush “how to move.” The film is shot in Livorno in Italy, and shows how aged 77, Lindsay still has the poetic way about him of an idealistic young dreamer, but his body has begun to show his years. Though he still teaches dance, he’s sanguine about how his age has affected his movements, and the way he narrates his tale is both beautiful and utterly heartbreaking. Adrian says: “I knew what I hoped to capture – an honest, thoughtful moment in an older man’s life still doing what he loves.”

He adds: “Lindsay is not only a charming man but has had an amazing life as an artist and has touched many others. A gay man that to some critics was just a decadent imp whose ability to outrage was his only real instrument, and to others an inspiration who proved that you didn’t have to conform to the image of what a dancer should be. For me, he represents a creative freedom that is rare today. I wanted Lindsay holding on to his desire to dance in his last years and being free which as he says is the most important thing we have.”

The film is part of a series on new platform Postcards, set up by production house Just So to showcase short documentaries from emerging and established filmmakers. Postcards is funded by Just So and Sheffield Doc/Fest.

A person in a pale, tiered tulle gown and white face makeup stands beside another person in a light blue shirt. They are in a bright, empty gallery space with light wood floors.
Above

Adrian Sibley: Stopping Time (still)

A person lies flat on their back on a pale green bed, eyes closed and head resting on a purple floral pillow. They wear a blue and yellow patterned shirt, and their reflection is visible in a mirror to the left.
Above

Adrian Sibley: Stopping Time (still)

A person looks directly at the camera with a wide-eyed expression. Their face and neck are covered in thick, matte white makeup, with dark grey shading around the eyes.
Above

Adrian Sibley: Stopping Time (still)

A person stands behind a professional camera, filming another person seated in a red armchair. They are in a lived-in room with green walls, filled with paintings, books and houseplants.
Above
Left

Adrian Sibley: Stopping Time (still)

A person wearing pale makeup and a bald cap looks into a mirror, applying powder to their face. They are dressed in a dark purple kimono, with framed pictures hanging on a green wall behind them. The scene is shown on a camera monitor with the word “Shogun” at the top.
A person films a figure sitting in a red patterned chair, who is looking into a large mirror. The room has bright green walls and is filled with eclectic furniture, plants and artwork.
Above
Left

Adrian Sibley: Stopping Time (still)

A small monitor rests inside a coil of thick black cables. The screen shows a close-up of a person with an open mouth, appearing to shout.
A person looks into a circular mirror while holding a small dropper close to their eye. The image is softly focused with a green background.
Above

Adrian Sibley: Stopping Time (still)

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About the Author

Emily Gosling

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Emily joined It’s Nice That as Online Editor in the summer of 2014 after four years at Design Week. She is particularly interested in graphic design, branding and music. After working It's Nice That as both Online Editor and Deputy Editor, Emily left the company in 2016.

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