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A collage featuring a stylised figure playing a trumpet against a pink and blue background. Below them, two large, wide-eyed faces look upwards from a blue and brown landscape.

March's Student of the Month is illustrator and jazz-man, Edward Cheverton

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Date
4 April 2012

Second year illustration student Edward Cheverton has a keen and developed style, one that pulls enthusiastically from his combined passion for comics and jazz. By merging his drawing with collage work, Edward is constantly trying new things. His working with subject matter that he truly loves results in a stand-out portfolio that actively engages with the nature of its experimental content – jazz.

“I like playing around with the composition and colour combinations, and I often don’t work on a base piece of paper so the collages are free standing, and can grow as large as I like. Collage has been a big part of my work for the past few years, and although I sometimes stray away from it I always come back with new ideas to develop it.”

A black and white ink illustration split into two panels. On the left, two figures are seen in profile, while the right panel shows a close-up portrait of a person looking towards the side.
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Edward Cheverton: Kind of Blue recording

A collage featuring a yellow background with the handwritten text “DONKUS A DOO DON IN DUNK” and “TON”. To the right, a blue panel shows a simple line drawing of a person seen from behind.
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Edward Cheverton: Life Drawing Collage

A collage featuring a bright yellow background with the handwritten words “BING ONG A BOO ANN”. Overlapping rectangles of pink and blue paper sit beside a sketch of a nude figure on tan paper.
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Edward Cheverton: Life Drawing Collage

A collage featuring a sketch of a person’s back and legs on a red background. Torn strips of green, blue and yellow paper overlap the drawing, with handwritten text including “HO”, “DOOOOOOO” and “UM”.
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Edward Cheverton: Life Drawing Collage

At the time of making these projects, who or what was your biggest influence?

I was getting really inspired by the jazz scene in the 1960s which I feel is somewhat overshadowed by other musical developments. I found myself constantly listening to Miles Davis’ Columbia records and Coltrane’s late 1960s work. I think the whole idea of this experimental move in jazz was a big influence for me.

What is the most valuable thing you have learnt at university to date?

It has shown me how important it is to open yourself up to influences outside of art and design which, in my case, is jazz music. These things can really help to push your work further, and take you down interesting routes you would not have otherwise considered.

What would you be doing now if you weren’t at art school?

I like to think I would be attempting a career as a jazz musician. I play trumpet and piano and recently I’ve begun to record my own music.

Where are you creating most of your work?

Mostly in the studio at university. There is a really vibrant and energetic atmosphere that I find really stimulating. I also like to keep a sketchbook with me all the time, so I can draw anywhere and everywhere.

What are you working on at the moment?

I’m recording lots of improvised music that will form the basis of a personal project about the relationship between music and image. I got to meet up with some friends today and record us playing around with a didgeridoo, bongo drums and rainsticks! I am using this project as an excuse to branch away from jazz for a while so I can look and listen to other music, as well as experiment with animation.

A collage featuring a blue illustration of a person’s face alongside a smaller figure in light blue. Below, a blue slip of paper reads “Ascenseur pour l’échafaud” in handwritten script.
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Edward Cheverton: Ascenseur Pour L’echafaud

A series of mixed-media collages featuring fragmented portraits, handwritten notes and abstract shapes. The compositions use a palette of red, blue and yellow, combining sketches with cut-out text and photographic elements.
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Edward Cheverton: The Rise of Modal Jazz

A colourful collage featuring a stylised figure in a hat and pink shirt walking across the frame. The composition is a patchwork of bright shapes and abstract black lines, including a large, simplified face on the right.
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Edward Cheverton: Sketch Collage

A collage featuring a hand-drawn text page and a stylised portrait. The left page reads “one up, one down” in bold black ink, while the right shows a person’s profile against a blue and black background.
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Edward Cheverton: Coltrane Collage

A black and white ink illustration featuring three panels of figures. The scenes show people playing instruments and talking in a loose, gestural style.
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Edward Cheverton: Kind of Blue recording

If you’d like to be April’s Student of the Month, then check here for all details on how to submit.

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About the Author

Bryony Quinn

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Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.

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