Roll up, roll up, it’s time for our weekly podcast! Seat yourself comfortably, one and all, to listen to Rob, Liv, Maisie and James talk art, exhibitions, poppies and peculiarities. You can listen via the SoundCloud below or subscribe via iTunes over here.
In case you haven’t heard already, Damien Hirst is building a town. A real town, in Devon. Liv reckons it wouldn’t be so bad to be a resident, although she turns her nose up at eating in his restaurant. How does Hirst housing sound to you? Then we glanced at a sweep of the strange art shows which we’ve heard about this week. Pop on your scuba mask – there’s an underwater gallery in Italy – and dig out your magnifying glass to take a peek at a miniature art show in California. Perhaps the kids shouldn’t come along too though, according to Jake Chapman.
Next up the team discuss the art projects which opened this week to commemorate the centenary of World War One, from the sea of ceramic poppies round the Tower of London to London’s new pillar of light, Spectra. Finally, James looks at XL Recordings’ new site celebrating 25 brilliant years of musical delights and an accompanying Michel Gondry video series.
- Twin brothers V/A/B on their “difficultly simple” approach to design
- The people’s choice, it’s Best of the Web!
- Larry Hallegua captures sun worshippers on Pattaya Beach in Thailand
- Lukas Korshan photographs Dulwich Hamlet FC, where you can “drink beer, stand up, and let loose"
- “The field is stretching itself bigger and bigger” - Jurgen Bey on design education and infinite possibility
- Peter Judson messes with depth perception in new personal project, Infection
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s