So two weeks have flown by and right on cue, as if pre-planned but actually (maybe) the result of some unknown cosmic dance, the It’s Nice That podcast is back. For our third outing we were joined by Alex Needham, culture editor of Guardian.co.uk and Matt Jones, principal of design consultancy BERG. We all enjoyed it, hope you will too…
in the news section we covered Jeremy Deller’s selection for the British Pavilion at the Venice Biennale, the furore over the lack of any women on the Cannes Film Festival Palme d’Or shortlist and Clerkenwell Design Week.
We spoke to Alex Needham about the way in which The Guardian plans its online cultural coverage, whether Joey Barton art critic is the right kind of commission, and how design criticism lives in the mainstream media.
We spoke to Matt Jones, principal of Berg about why the focus is too often on the wrong sort of design, why invention is key and robotic birds…
We also gave Mark Zuckerberg some advice (you’re welcome Mark), reviewed the cafe prices at the new Photographers Gallery and found out where Alex’s swimming bag is from. Enjoy!
- Twin brothers V/A/B on their “difficultly simple” approach to design
- The people’s choice, it’s Best of the Web!
- Larry Hallegua captures sun worshippers on Pattaya Beach in Thailand
- Lukas Korshan photographs Dulwich Hamlet FC, where you can “drink beer, stand up, and let loose"
- “The field is stretching itself bigger and bigger” - Jurgen Bey on design education and infinite possibility
- Peter Judson messes with depth perception in new personal project, Infection
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s