Studio Hato have been around in some guise or another since 2009, although they’ve only recently given themselves an official name. They’re the design branch of a multi-faceted organisation that also includes Hato Press (an exceptional Risographic print studio) and Hato Labo (a digital design and programming team) all based in north east London. Its founders, Jackson Lam and Ken Kirton, have been around since the very beginning, working away on a multitude of commercial projects behind the scenes, while the reputation of the press has grown.
Now though, they’re ready for a bit of the limelight and are making these various branches of their business distinct. As a result they’ve launched a brand new website for themselves that features a huge body of work from the past few years, for clients with serious cultural pedigree. They’ve worked with The British Council, The Hayward Gallery, Serpentine Gallery, Tate St Ives and The German Embassy on everything from print projects and exhibition design to website development and workshops, handling each stage of the process in-house by virtue of their affiliate digital studio and press.
For simplicity’s sake we’ve chosen their latest piece of work to feature here that demonstrates the extraordinary attention to detail for which Hato are well-known among their clients. Not only did they organise the workshops and design the publication themselves, they also re-drew an unfinished Arabic typeface by Eric Gill to use as the project font. Nice.
- Thomas Prior captures a Mexican festival involving exploding sledgehammers
- The misty-eyed and delicate pencil marks of Lee Kyutae
- Build’s brand identity for product design brand Plæy mirrors its playful and modular designs
- David Bailey's photographs of NW1, republished and exhibited for the first time
- Studio Mut creates a catalogue for Italian art prize that celebrates up-and-coming artists
- A forward-minded retrospective: behind the design of the massive Cedric Price monograph
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich