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A close-up of a book's table of contents, featuring text in both English and German. The English section includes headings such as “Foreword”, “Awarded Books” and “Jury Report”.

Studio Johannes Bissinger's catalogue for the "WORLD'S BEST BOOK DESIGN"

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Date
1 May 2015

Studio Johannes Bissinger’s catalogue for the Stiftung Buchkunst, a compilation of the “BEST BOOK DESIGN FROM ALL OVER THE WORLD,” is a publication I’ve had on my desk since it arrived in the post last week, and which nobody has been able to walk past without picking it up to thumb through and remark “ooh, this is nice.”

The premise of the catalogue, which was put together after the judging of the international book design competition, was to showcase the successful entries, separated into gold, silver and bronze medals and honorary appreciations. “The concept was to find a simple form to present the 14 winners, and give a feeling for the books,” Johannes explains in his accompanying letter. “We took shots directly after the jury session in the National Bibliothek, Leipzig. To give it a kind of international feel, I decided to select/edit ‘fortune-texts’ to each book; like a little comment, but not too serious.”

Each of the winning books was photographed by Conny Mirbach and printed full bleed on a single page, which is then twinned with a blank white space, making the catalogue feel delightfully non-hierarchical in its presentation. The cover is also made of an oddly textural, pearlescent stock, and the book scattered through with lines of colloquial text which make it feel more like a note from an old friend than a catalogue. A fitting tribute to the “BEST BOOK DESIGN FROM ALL OVER THE WORLD,” in Johannes’ words.

A layout of printed materials featuring a blue-toned portrait of a person’s face. Beside it, a white list displays award categories such as “GOLDENE LETTER” and “GOLD MEDAL” alongside a series of titles.
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Studio Johannes Bissinger: Stiftung Buchkunst

An open book lies flat on a white surface. The right page shows a photograph of a small, square artwork leaning against a wall on a white plinth.
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Studio Johannes Bissinger: Stiftung Buchkunst

An open book lies flat on a white surface, with a small white stone resting on the right page. The right page shows a photograph of several white books standing together against a dark, textured background.
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Studio Johannes Bissinger: Stiftung Buchkunst

An open book lies flat on a white surface, flanked by two smooth grey stones. The left page lists publication details for “Bronze Medal”, while the right page features a layout of black and white photographs and text.
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Studio Johannes Bissinger: Stiftung Buchkunst

An open book lies flat on a light surface, flanked by a red block and a piece of textured stone. The left page contains a list of publication details including the title “Cartea de Vizită”, while the right page displays a grid of small cards.
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Studio Johannes Bissinger: Stiftung Buchkunst

A printed page featuring a list of participating countries and a jury report in English and German. The text is arranged in three columns on a white background, with a list of countries and quantities on the left.
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Studio Johannes Bissinger: Stiftung Buchkunst

A close-up of an open book showing a table of contents in English and German. The text includes headings such as “Foreword”, “Awarded Books” and “Stiftung Buchkunst”.
Above

Studio Johannes Bissinger: Stiftung Buchkunst

A close-up of an open book resting on a speckled grey surface. One page is blank white, while the opposite page shows a blurred, textured image in shades of red and brown.
Above

Studio Johannes Bissinger: Stiftung Buchkunst

A close-up of a printed list on white paper, laid over a marbled surface. The text includes numbered entries such as “1 GOLDENE LETTER” and “2 GOLD MEDAL”, with names and dates listed below.
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Studio Johannes Bissinger: Stiftung Buchkunst

A close-up of an open book resting on a marbled surface. A line of text reads “EVERYONE SMILES IN THE SAME LANGUAGE.” followed by the same phrase in German.
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Studio Johannes Bissinger: Stiftung Buchkunst

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About the Author

Maisie Skidmore

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Maisie joined It’s Nice That fresh out of university in the summer of 2013 as an intern before joining full time as an Assistant Editor. Maisie left It’s Nice That in July 2015.

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