Studio Swine have been producing a run of superb work recently. We featured their studio space not long ago, but since then they’ve been hard at work concocting yet another visually stunning piece of interior architecture – this time with a technological twist.
The Prism Cabinet is not only a striking piece of furniture created from the very finest reclaimed London hardwoods (the design alone would be enough to have us raving about it) but within the cabinet’s interior is a 180 degree holographic representation of Keiichi Matsuda’s Prism installation, an elaborate data visualisation of London’s vital statistics.
As a progressive use for traditional furnishings the Prism Cabinet is second to none, forcing us to reconsider the ways in which we engage with the digital world – why always brushed aluminium and retina displays? – but on a primitive level we just love the idea of a hologram inside a beautiful box. The future’s here!
- Scott King, Roger Hiorns and Tom Morton discuss provocation for new book The Creative Stance
- Flaneur explores the magic of Moscow in its biggest issue yet
- Brooklyn illustrator Ping Zhu and her breezy brushstrokes full of energy
- Irreconcilable Truths: a 1500-page survey of legendary photographer Don McCullin’s work
- Rob Flowers, Roberto Rosolin, Liv Siddall and Greg Barth at Nicer Tuesdays October
- Milou Trouwborst's refined, simplistic and melancholic illustrations
- Bompas & Parr explores the strange world of sploshing (NSFW)
- Working Not Working reveals the top 50 companies creatives would kill to work for
- Kodak returns to its 1970s symbol, joining the retrobrand bandwagon
- Kodak unveils the Ektra: its first ever smartphone
- Retracing and recreating historic reggae record sleeves with photographer Alex Bartsch
- William Knight's socially conscious portfolio of graphic design