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    Superflex: To Let

Art

We love Superflex's hand-painted, and powerful "To Let" signs for the Biennial

Posted by Liv Siddall,

Upon visiting Liverpool, artistic group Superflex were struck by the enormous amount of To Let signs draped all over the buildings. In a city where constant regeneration is contrasted with a huge amount of available space and a lack of demand, the To Let signs have become a staple aesthetic of a city caught in quite a strange phase – Liverpool is balancing social difficulties with real cultural clout. Superflex’s hand-painted To-Let signs speak of hard-work in the city’s industrial history and of logos and letting agents’ signs that have become a part of day-to-day life. Shown in the fascinating space of the Cunard Building, one of the historic Three Graces of Liverpool, the works are given a spacious context in which to be rethought.

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    Superflex: To Let

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    Superflex: To Let

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    Superflex: To Let

Ls-300

Posted by Liv Siddall

Liv joined It’s Nice That as an intern in 2011 and is now one of our editors. She oversees itsnicethat.com and has a particular interest in illustration, photography and music videos. She is also a regular guest and sometime host on our Studio Audience podcast.

Most Recent: Art View Archive

  1. Oliviervrancken-untitled-1-inthome

    Olivier Vrancken is a graphic designer and artist based in Holland. Painting and drawing his way through commissions and personal work, he is inspired by everything from primitive art to the great lyricists that are Black Sabbath. Olivier has exhibited all over Europe, his Cubist aesthetic and visual references laden with nods to cut-outs, still life, architecture and the human form. There’s a great colour palette to his work and some nice titles like Bad Hair Day and Wanderlust. Olivier’s work reminds me of the prints that appeared all over the T-shirts of the 1980s, in a good way.

  2. Menutnutnut-drawing-4-int

    Me nut nut nut was one of Jason Murphy’s daughter’s first utterances, and is now the name for his drawings of awkward stories of fear and incompetence. Inspired by the physical comedy of The Young Ones and The Ren & Stimpy Show, Jason’s drawings rely on comic intuition and references to real-life moments, like dropping a potato on his cat.

  3. Seamus_murhpy_pj-harvey_-recording-in-progress_-2015.-an-artangel-commission.-_1_int

    While we wait to take our turn to become a sort of strangely sanctioned voyeur as PJ Harvey records her ninth album, thinking about what’s ahead feels peculiar. Essentially, we’re going to see PJ (Polly Jean) Harvey, her band, producers Flood and John Parish, a photographer and two engineers making an album in a Something & Son-designed box, formed of glass that allows visitors to see in, while the musicians can’t see out.

  4. Atelierbingo-list-int

    Up to the point when I opened Atelier Bingo’s new zine Wogoo Zoogi I’d never wondered what two aliens in heated conversation might look like. Having had a read I can now confirm that the answer is “they are speaking, singing very strangely, and they have a hair on their tongues." The newest bout of work from French illustration and surface design duo Adèle Favreau and Maxime Prou is a wonderful celebration of playful, dynamic, abstract art; blending shapes, colours and patterns in a glorious puddle of chaos thinly disguised as alien chat. In fact, it’s everything we’ve been led to expect from the pair, who we’ve dolloped praise on in the past.

  5. Faigahmed-carpets-list-2-int

    Faig Ahmed is an Azerbaijani artist doing remarkable things with carpets. He takes traditional Azerbaijani rugs – enormous, beautiful intricate creations – un-weaves them, and reconstructs them to create new patterns and shapes, subverting traditional usage of rugs as domestic objects to be walked all over, and rejuvenating them with optical illusions and techniques reminiscent of contemporary internet art. 

  6. Slavs_tatars-loveletters-home-int

    The work of Slavs & Tatars is awash with unlikely cultural references, balloons, archives and carpets. Identifying “the area east of the former Berlin Wall and west of the Great Wall of China” as the focus of their work, their projects are generous, engaging and genre-crossing. Starting as a reading group before shifting into making their own work, Slavs & Tatars have recently been working on a continuation of their Long Legged Linguistics project, a multi-faceted study of language as a source of emancipation. The somewhat secretive collective were kind enough to tell us more about this and their “bazaar” approach to making work.

  7. Davidbatchelor-october-13-int

    If you go down to the Whitechapel Gallery anytime between now and early April you’ll be sure to come across a huge breadth of work chronicling the adventures of the black square, from 1915 all the way up to the present day. It’s fairly monochromatic, as you might expect. Upstairs, however, things get drastically more colourful – especially once you come to David Batchelor’s specially “disrupted” issue of October, one of the most respected art journals out there, first published in 1976 and edited by esteemed writers Michel Foucault, Richard Foreman and Noël Burch.

  8. Alexdacorte-easternsport-1-int

    Perennial student artist Alex Da Corte has qualifications, residencies and awards coming up to his eyeballs having studied Film, Animation and Fine Arts at New York’s School of Visual Arts, Printmaking and Fine Arts at The University of the Arts, Philadelphia and then a cheeky MFA in Sculpture at Yale. Busy guy!

  9. Duane_hanson_-_karma3

    Karma Books have just published a catalogue of Duane Hanson’s post-humous exhibition Flea Market Lady. Shown at New York’s Gagosian Gallery, Duane’s flea market ladies are taken from real-life characters and cast in bronze. An incredible feat of observation and skill, his work captures the character of his models and creates a very real atmosphere of flea-ing. Karma have kindly let us publish an extract from the imaginary conversation Maurizio Cattelan has with the artist in the foreword to the book:

  10. Hdl5_copy

    Hubert de Lartigue paints photo-realistic portraits that “serve the beauty” of his models, and his muse. He considers “emotion and soul” the most important part of a painting and spoke to us about his working process, inspiration and the impact of his muse, Octavie.

  11. Main_10.00.34

    If I won the lottery I’d open a gallery, and when I opened my gallery I’d totally rip off everything that David Kordansky Gallery does. From the big stuff like the very well-curated, cool list of artists they represent, to the impeccable printed matter they produce, to the matter of their easily navigable and well designed website – these guys are celebrating people’s work in the best way possible.

  12. List

    For all its simplicity – the limited use of colour, the seemingly straightforward shapes – there’s something about the work of Jens Wolf that’s undeniably intriguing and complex. Bringing to mind the likes of Josef Albers and Frank Stella, his abstract pieces set off their precise geometry with deliberate imperfections that add a human element to its formality. With his first London show opening in March, we had a chat with him about the creative process, the evolution of his work and why his London is forever foggy.

  13. Mp_home1

    We interviewed Mathis Pfäffli back in 2012 about his design practice and working day. The Swiss-born graphic designer has segued from the playful and considered printed matter that we’re used to and produced a series of large-scale pencil drawings.