Thank God that in the barren scrap heap of graphic design littered with apps, bogus coffee shop logos and poorly thought-out iPad swipe features there is someone making work infused with joy, love and humour. Tadashi Ueda’s designs have such a child-like innocence and excitable fascination with exploration – he utilises colours and shapes laid out in unpredictable grids to take the viewer’s hand and lead them on a journey into his eyeballs to witness the way in which he sees the world.
A far cry away from some more super-nice stationary laid out on coloured backgrounds and shot with an HD camera, this work is experimental to the point of jumping categories from graphic design into art. We often wonder if Japanese graphic design is only appealing because of the mystery – the fact that the majority of us don’t know what the exotic characters even mean. I think this time it’s safe to say that that’s not the case – even if these posters were actually advertising a funeral of a loved-one, I’d still enjoy them.
- Stina Löfgren’s instructional illustrations for practical lunges
- Scandinavian aesthetics and do-right design approach: the brand values of Nudie Jeans
- A beautiful portrait of the communities, theatre and blingy pants of South Yorkshire wrestling
- Back to basics with Davide Di Gennaro’s symbol-heavy design workshop identity
- “I wouldn’t recommend trying to make it as an illustrator to anyone”: straight-talking McBess
- Resolute yet playful designs for the If I Can't Dance groups’ compilation
- Should illustrators be treated like designers?
- Jonathan Barnbrook talks us through designing David Bowie's new album artwork
- Colourful masses with a Memphis aesthetic in Mariano Pascual’s illustrated alphabet
- Grey London's thoughtful, powerful and innovative new campaign for Tate Britain
- Anthony Burrill on starting out and staying focussed
- Introducing French design studio plus mûrs and its beautiful poster designs