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An illustration of two figures sitting at a blue table against a pink background. One figure leans their head on the other's shoulder, while the text “IM TIRED” is written above them.

Tae Parvit: a fresh face with fresh illustrations

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Date
9 August 2016

Illustrator Tae Parvit’s work speaks volumes of his style and personality. Born and raised in Bangkok and “just dipping my toes into the art realm,” Tae originally studied graphic design in Melbourne. However, it was once Tae discovered the street art scene in Australia that he integrated illustration into his practice, alongside making T-shirts and pins to sell whilst he studied.

Tae’s work is limitless due to his enjoyment of using multiple disciplines. “I’m very interested in making screen prints but adding little techniques, such as paint or collage. I like to create work that is rough and messy looking, using playful naive drawing but concentrating on the colours. Sometimes when I get bored of drawing a character or still life I’ll switch to an abstract style, then get back to drawing in order to help refresh my ideas.” A varied approach is one Tae has adopted from his influences, a great gang of Willem De Kooning, Basquiat, Cy Twombly, Keith Haring, and the new generation of artists like Andy Rementer and Piet Parra.

Since moving back to Bangkok Tae has begun an artist residency at screen-printing studio The Archivist, as well as working as a freelance designer. So far the work he creates is often based on how he feels that day, “emotions, people, music and objects that surround me. Mostly it’s emotion though, how I feel at that moment, it’s almost like I draw instead of writing a diary,” and these sneak peeks into Tae’s diary are captivating.

An illustration of a blue figure sitting cross-legged against a green background. A pink cloud of smoke drifts from a cigarette in their mouth, while handwritten text below reads “FORGET THIS CRUEL WORLD”.
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Tae Parvit: Forget This World

An illustration of a pink figure standing in a blue sea under a coral sky. Ancient columns and jagged rocks emerge from the water around them.
Above

Tae Parvit: Sink

An illustration of a simplified figure holding scissors, reaching towards a small flower in a vase. The scene is set against a pink background with a dark, abstract shape to the right and a red scribble above.
An illustration of a figure sitting at a table against a bright blue background. The figure holds a glass of wine, with a bottle and a small vase of flowers beside them. Below, handwritten text reads “NORMAL DAY” and “TAE YARVIT”.
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Tae Parvit: Normal Day

An illustration of a blue vase holding a bunch of red flowers. One flower hangs low on a long, curved stem, and the words “FOR YOU” are written in red to the right.
Above

Tae Parvit: For You

A simple line drawing of two figures sitting at a table against a blue background. One figure holds a sword to their own head, while another sword stands upright on the table. Handwritten text below reads “WHERE DID THINGS go WRONG”.
Above

Tae Parvit: Where Did Things Go Wrong

An illustration of two stylised figures in bold yellow, pink and green. One figure stands with a raised arm, while the other sits on a chair beside a small vase of flowers.
Above

Tae Parvit: Room

An illustration of a white figure with an elongated arm reaching down to a single flower on a blue surface. Above them, handwritten text on a pink background reads “YOU ARE MY FLOWER”.
Above

Tae Parvit: You Are My Flower

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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