Bell ringing, we know, should be reserved for momentous occasions, but we’re going to back ourselves and say let’s get those badboys swinging as we present The Annual 2013. Every year It’s Nice That publishes around 2,500 articles (I know right?!) a bewildering barrage of creative brilliance we feel compelled to share with the world. Each month the editorial team sits down and selects those projects we feel were extra special; super-exciting, super-engaging and reflective of what we try and do as a publishing platform.
The Annual is the fruits of those discussions. Boasting more than 130 projects as well as a look at our Graduates class of 2013 and the art and design exhibitions we feel defined the past 12 months, it’s a thing of great creative clout. The book has been beautifully designed by the chaps at Commission Studio, who got the inimitable Jiro Bevis in to add a cavalcade of illustrated characters to pep up proceedings even further.
You might be able to sense that we are very ruddy proud of it, and now we are thrilled to introduce it to the world. So everybody meet The Annual 2013, The Annual 2013, meet everybody…
- Moving Brands gives its opinions on the new Google logo design
- Typographic club posters that show how creativity flourishes within boundaries
- Eric Petersen's surreal illustrations take their cues from video games
- Paris-based Adrien Menard's portfolio experiments with letterforms and composition
- The creative process explained via egg metaphors, thanks to artist Honza Zamojski
- Vincent Girardot’s photo diary documents an alpine tour of fish, factories and firs
- No more serifs, same bright colours: Google launches new identity
- Tokyo 2020 Olympic Games logo scrapped over plagiarism row, according to reports
- Ely Dagher’s hypnotic and erotic animated vignettes for Model 86’s EP (NSFW)
- Playfully tongue-in-cheek illustrations from Germany-based Cécile Dormeau
- The Anonymous Sex Journal is back, and this issue is all about wanking
- The slides and sleep pods of LA's Silicon Beach startup scene captured by Lauren Greenfield