Bell ringing, we know, should be reserved for momentous occasions, but we’re going to back ourselves and say let’s get those badboys swinging as we present The Annual 2013. Every year It’s Nice That publishes around 2,500 articles (I know right?!) a bewildering barrage of creative brilliance we feel compelled to share with the world. Each month the editorial team sits down and selects those projects we feel were extra special; super-exciting, super-engaging and reflective of what we try and do as a publishing platform.
The Annual is the fruits of those discussions. Boasting more than 130 projects as well as a look at our Graduates class of 2013 and the art and design exhibitions we feel defined the past 12 months, it’s a thing of great creative clout. The book has been beautifully designed by the chaps at Commission Studio, who got the inimitable Jiro Bevis in to add a cavalcade of illustrated characters to pep up proceedings even further.
You might be able to sense that we are very ruddy proud of it, and now we are thrilled to introduce it to the world. So everybody meet The Annual 2013, The Annual 2013, meet everybody…
- Twin brothers V/A/B on their “difficultly simple” approach to design
- The people’s choice, it’s Best of the Web!
- Larry Hallegua captures sun worshippers on Pattaya Beach in Thailand
- Lukas Korshan photographs Dulwich Hamlet FC, where you can “drink beer, stand up, and let loose"
- “The field is stretching itself bigger and bigger” - Jurgen Bey on design education and infinite possibility
- Peter Judson messes with depth perception in new personal project, Infection
- Fashion photographer Miles Aldridge shoots the cast of Game of Thrones for Time Magazine
- The Netherlands’ royal crest changes gender for national women’s football team kit by Nike
- Peek inside erotic magazine Odiseo’s very NSFW tenth issue
- Rick and Morty’s Exquisite Corpse trailer features 22 animators including Simon Landrein and Bendik Kaltenborn
- Design director, Gail Bichler, on The New York Times Magazine typography exhibition
- Mark Shaw captures the glamour of haute couture runways from the 1950s