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    Big Bear

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    Dungeness Drawings

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    Dungeness Drawings

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    Dungeness Drawings

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    Dungeness Drawings

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    Human (adj.)

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    Human (adj.)

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    Human (adj.)

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    Human (adj.)

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    Human (adj.)

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    Human (adj.)

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    Human (adj.)

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    Human (adj.)

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    Portraits

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    Portraits

Illustration

The Graduates 2011: Sarah Maycock

Posted by Bryony Quinn,

After a “tough two years” at a boy’s grammar school and one more in Brighton City College, Sarah Maycock arrived at Kingston University to study Illustration and Animation. Her work, with its painterly details and canny knack for character, is an excellent amalgamation of her meanderings between the fine art and illustration studios back in Brighton, and a very special ability for obsessive mark making “mixed with total order.”

Kingston posed her the opportunity to “take charge of my artist’s temperament with some nice shiny briefs.” And she certainly channelled that nature into quite a number fascinating projects. Examples being a book of Dungeness drawings and some accomplished sketchbooks showing her to be a quick and able reportage illustrator, while a book on animal similes reveal an extraordinary explanatory power to the hasty lines and use of colour. Lovely stuff.

If your portfolio was on fire, and you could only save one piece/project, which would you choose, and why?

It’s too big to fit in my actual portfolio, but it would have to be the Bear painting I made for my final exhibition. I stood/sat/lay/crawled on the paper to paint him, so he and I are quite intimate now.

If you could collaborate with another artist/designer (or a number of artists/designers) to make a piece of work, who would you work with and what would you make?

I don’t know if this is a project as such, but I would love to play the drawing game, “Consequences” with Hieronymus Bosch, Egon Schiele, Thom Yorke, and Henri Matisse (to name a few, this list changes every time I try to think about it). The quality of drawing, conceptual thinking and surreal imagination would be mind blowingly inspirational. All condensed into folded drawings of figures. And maybe Denys Fisher (the man who invented Spirograph) so we could make an incredible painting machine.

What was your finest moment at art school?

Three come to mind. I was recently invited to Ken Garland’s studio, that was brilliant. Or the end of year show at the Red Gallery. It felt like my first “real” thing. I worked with several others on the identity, which was a huge responsibility, but such a good experience. I think it’s given me a taste for art direction. Oh, I also invented the term “tug of war seesaw” and used it in the conclusion of my dissertation.

We believe it was the Jonas brothers who once said “we’re the kids of the future.” How, if at all, do you relate to that?

I don’t feel like a kid anymore, I think I have aged about twenty years in the last six weeks or so. As for relating to the Jonas Brothers, I’d rather not. I have a real thing about men who look like they preen their eyebrows more than I do.

Can you give us ONE prediction about you and your work for the next year?

I will move home for a little while and work in the local pub, which will be a reminder that the world doesn’t (always) revolve around paper gsm and colour space and pagination, all the while exploring my interest in portraiture and paint.

Portrait9

Posted by Bryony Quinn

Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.

Most Recent: Illustration View Archive

  1. Lea-itsnicethat-main

    Great work here from German illustrator and comic artist Lea Heinrich who, according to her online bio, “often dreams about being on a subway train traveling underneath the massive steel and concrete construction of New York City. Sometimes she observes the other passengers, sometimes there’s nobody else on the train, and sometimes she doesn’t know where she is going, but either way it’s always exciting.” Cool! Her work is a nice mishmash of urban cuteness à la Andy Rementer and old German folk tales, and her comics have a wit about them not dissimilar to someone like Frau Franz or Matt the Horse. As well as being totally adept at cartoons and comics and illustrations, Brooklyn-based Lea can also design a banging poster, which is always a big plus.

  2. Marcelgeorge-port-itsnicethat-list

    Maybe it’s because I am a notoriously un-stylish man, but the product spreads in magazines usually do absolutely nothing for me. Flicking through multiple pages of artfully arranged man-bags strikes me as purgatorial, but I understand these kinds of features often have a commercial rationale in the complicated financial climate of modern magazine-making. Credit though when a publication strives to do something more interesting with these spreads, like the Russian version of Port magazine (or Port Россия) which commissioned Marcel George to illustrate a recent feature on watches.

  3. Adamnickel-itsnicethat-main

    I came across Adam Nickel’s work on a Mr Porter Journal article entitled How To Speak Professional-ese which outlined how the common man can attempt to understand office and business jargon. Adam Nickel’s perfect for a brand like Mr Porter. His drawings are inspired directly from packaging design and illustration in the 1950s and early 1960s, channeling the kinds of characters you may have seen rushing about in the background of The Pink Panther or chasing a pesky critter through some well-animated opening credits. Adam states on his site that he’s a lover of all things old – I assume he’s referring to design? – and is pushing out so-good-they-could-almost-be-actually-vintage illustrations at a mile a minute. Definitely one to commission if your brand or publication is lacking a spot of style and olde worlde charm.

  4. Sarahmazzetti-mit-itsnicethat-list

    It’s always a joy to hear from Bologna-based illustrator Sarah Mazzettti who has been a firm favourite of ours since we first stumbled across her gig posters back in 2012. The Italian image-maker seems to have settled on a more confident style in recent months and big-name commissions from the likes of Vice, The New York Times and MIT Technology have duly followed. But that unpredictable playful sensibility we so loved has not been entirely banished, as evidenced by her huge yellow giant holding up a room for the TICTIG exhibition at Casa Testori in Milan.

  5. Hattie-stewart-itsnicethat-list-2

    Hattie Stewart is back – not that the self-proclaimed doodle-bomber ever goes away for long – and this time it’s with reams of new work for her very own exhibition at the House of Illustration, entitled Adversary. In the first of what looks to be a whole series of commissions by the London-based gallery, she has created a collection of new (and enormous) pieces in her signature doodle style, decorating images from pop culture with accessories, stripes, googly eyes and emojis and generally elevating them beyond magazine fodder and into something entirely unique and infinitely bolder. 

  6. Jonjones-itsnicethat-list

    You know what we really love apart from great illustration? Seeing how that great illustration was made. Jonathan Jones is a South African illustrator who flits between countries making his beautiful work, but what sets him apart from most of the rest of his freelance counterparts is the way he documents that work online. It’s lovely of course to see the final product of his endeavours, but to see layers of red, yellow and blue build up into a singular image allows a kind of eureka moment where you instantly understand the practitioner’s skill and wish you’d spent more time learning about colour separations at university.

  7. Steven-harrington-itsnicethat-listr

    If pastel colours, psychedelia, totemic piles of strange, Lennon-esque faces and a Salvador Dalì approach to yin-yang symbols are your thing, it’s likely you’ll love the work of illustrator Steven Harrington. The California-based illustrator has spent his career making dreamy, magic, sunshine-infused work; and he’s recently updated his site with a bunch of new work. The piece that really made us grin like a blissed-out, long-haired hippy is the poster for Noise Pop, a refreshingly playful approach to promoting the likes of the equally playful Dan Deacon. Elsewhere, Steven’s been keeping himself busy designing some great patterns and images for New York clothes brand Staple, which are all melting yin-yangs and cactuses bent into Loch Ness Monster-type forms, naturally.

  8. Sacmagique-itsnicethat-main

    Sac Magique’s back with a brand new (magic) bag! The Finnish artist has updated his site – which I check almost as regularly as the news – with a bunch of new drawings in a new, sketchier style. As always his work has gotten funnier and more daring and I daresay he’s cracked up the weird levels a few notches. That’s why I love him, much like fellow Helsinki-based illustrator Rami Niemi, he approaches briefs from big brands with a carefree childish wit, unafraid to use cuss words, toilet humour and sarcasm in ample spoonfuls. He’s been making work for bands such as Fat White Family recently, and has been making personal work that rings of the cynical one-line cartoons found in pages of The New Yorker –the one entitled Drunk Online Shopping, and the London scene in particular. Sac, I love you. Let’s elope.

  9. Bernhardaxilko-itsnicethat-main

    Excuse the pun, but I’m a sucker for penis drawings. Birthday cards, desks, walls, Post-Its, other people’s books, car windscreens: to me the world is but a canvas for penile artwork. Judging by his startlingly extensive back catalogue of sexually charged, penis-infused illustrations, it seems Belgrade-based artist Bernharda Xilko is on the same page. His style is in the same camp as people like Patrick Kyle and Paul Paetzel but comes with a side order of terror, penetration and science fiction. For me, I like the depth of his one-panel cartoons, and how you can stare at it for a while like a saucy magic eye painting, and keep finding things you had missed first time around.

  10. Newyorker_01-wilfrid-wood-itsnicethat_list

    Giving us proof if it were needed that humour and style are in no way mutually exclusive, Wilfrid Wood has created a sweet, strange series of his signature plasticine caricatures for The New Yorker. The illustration spots feature throughout the mag’s style issue, aiming to sum up a variety of different New Yorkers “with hats and scarves and various accessories,” Wilfrid helpfully points out. As is typical of Wilfrid’s work, they’re very odd, sometimes ugly, and very brilliant, and rudimentary as they are we’re sure there’ll be a few folk in the Big Apple who see a little bit of themselves in these lumpy visages.

  11. Alisondubois-after-itsnicethat-list

    Alison Dubois is a San Francisco-based illustrator who channels all of the vitamin D from her native temperate climate into her work. Take After, for example, a collection of re-creations of works by great masters, including Henri Matisse, Peter Doig and a handful of Paul Gauguins. Her drawings are rendered in felt tip and dominated by primary colours, and looking at them for too long feels something like consuming a bottle of Sunny D via an IV drip.

  12. Thomas-slater-mosaic-itsnicethat-list

    It’s a good job “Thomas Slater, Illustrator” has such a nice ring to it, as we seem to be spending a lot of time on his website of late. His newest undertaking is for Mosaic, the science-led strand of the Wellcome Trust which is using commissioned illustration and photography to make even the most opaque of articles on their journal absorbing. For a piece entitled Do You Need to Go to Parent School? Thomas has created a series of drawings depicting kids both being encouraged by, and outsmarting, their ambitious parents – putting them on school buses, playing at being doctors from their buggies, or having their brains measured while diligently sipping on juice cartons. It’s the kind of commission which shows editorial illustration at its most challenging, but somehow Thomas manages to convey broad ideas about parenting and education with a simple and bold colour palette, outsmarting us all in the process.

  13. Sygold-itsnicethat-list-new

    Illustrator S.Y. Gold is one of growing number of young illustrators making a virtue of the limitations of digital software. His imagery makes clear its origins – Illustrator line tools and Photoshop’s airbrush can – in its exuberant final results. What’s the purpose of his unusual images? Hard to say but they display the beginnings of some great character design as well as the potential for interesting editorial applications.