• Big_bear

    Big Bear

  • Dungeness_book_3

    Dungeness Drawings

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    Dungeness Drawings

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    Dungeness Drawings

  • Dungeness_book_6

    Dungeness Drawings

  • Dungeness_book_1

    Dungeness Drawings

  • Human_cover

    Human (adj.)

  • Animals_fighting

    Human (adj.)

  • Fox_screenprint

    Human (adj.)

  • Human_lion_1

    Human (adj.)

  • Human_bear_1

    Human (adj.)

  • Human_bee_1

    Human (adj.)

  • Human_bee_2

    Human (adj.)

  • Human_lark_1

    Human (adj.)

  • Human_ox_1

    Human (adj.)

  • Lithograph_storm_lion

    Human (adj.)

  • Portrait_2

    Portraits

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    Portraits

Illustration

The Graduates 2011: Sarah Maycock

Posted by Bryony Quinn,

After a “tough two years” at a boy’s grammar school and one more in Brighton City College, Sarah Maycock arrived at Kingston University to study Illustration and Animation. Her work, with its painterly details and canny knack for character, is an excellent amalgamation of her meanderings between the fine art and illustration studios back in Brighton, and a very special ability for obsessive mark making “mixed with total order.”

Kingston posed her the opportunity to “take charge of my artist’s temperament with some nice shiny briefs.” And she certainly channelled that nature into quite a number fascinating projects. Examples being a book of Dungeness drawings and some accomplished sketchbooks showing her to be a quick and able reportage illustrator, while a book on animal similes reveal an extraordinary explanatory power to the hasty lines and use of colour. Lovely stuff.

If your portfolio was on fire, and you could only save one piece/project, which would you choose, and why?

It’s too big to fit in my actual portfolio, but it would have to be the Bear painting I made for my final exhibition. I stood/sat/lay/crawled on the paper to paint him, so he and I are quite intimate now.

If you could collaborate with another artist/designer (or a number of artists/designers) to make a piece of work, who would you work with and what would you make?

I don’t know if this is a project as such, but I would love to play the drawing game, “Consequences” with Hieronymus Bosch, Egon Schiele, Thom Yorke, and Henri Matisse (to name a few, this list changes every time I try to think about it). The quality of drawing, conceptual thinking and surreal imagination would be mind blowingly inspirational. All condensed into folded drawings of figures. And maybe Denys Fisher (the man who invented Spirograph) so we could make an incredible painting machine.

What was your finest moment at art school?

Three come to mind. I was recently invited to Ken Garland’s studio, that was brilliant. Or the end of year show at the Red Gallery. It felt like my first “real” thing. I worked with several others on the identity, which was a huge responsibility, but such a good experience. I think it’s given me a taste for art direction. Oh, I also invented the term “tug of war seesaw” and used it in the conclusion of my dissertation.

We believe it was the Jonas brothers who once said “we’re the kids of the future.” How, if at all, do you relate to that?

I don’t feel like a kid anymore, I think I have aged about twenty years in the last six weeks or so. As for relating to the Jonas Brothers, I’d rather not. I have a real thing about men who look like they preen their eyebrows more than I do.

Can you give us ONE prediction about you and your work for the next year?

I will move home for a little while and work in the local pub, which will be a reminder that the world doesn’t (always) revolve around paper gsm and colour space and pagination, all the while exploring my interest in portraiture and paint.

Portrait9

Posted by Bryony Quinn

Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.

Most Recent: Illustration View Archive

  1. List

    There are several reasons why we love Kyle Pellet and everything that comes out of his Pellet Factory, but first and foremost on the list is that his work is good, plain, unadulterated fun. There’s no need to muse on his choice of medium, or the narratives which seem to run from one image to the next, or the squishy-faced characters who pop up again and again, because why would you when you can look at them, laugh and imagine you’re running through a gallery with a pack of assorted animals? Turns out he’s been incredibly busy churning out work at an impressive rate, so here’s an update on what he’s been up to! If you’re curious, you can also check out five of his favourite books over here on his bookshelf.

  2. Gflist

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  3. Main9

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  4. Dadulist

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  5. List

    As far as I can tell, there will always be a place for clean, stylish, witty illustration in the pages of today’s most esteemed media outlets, and for as long as that is the case illustrator Ben Wiseman isn’t going to have any trouble finding work. He’s nailed his aesthetic, communicating funny, satirical observations in neat, stripped back images and vibrant colours, and sure enough, clients have cottoned on. His portfolio includes a TIME magazine cover alongside work the The New York Times, The Wall Street Journal, Le Monde and This American Life, a corker of a list which just about makes him Brooklyn’s poster boy for editorial illustration. And thank god, because the black and white pages of the aforementioned publications sure would be dull without him.

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    It’s very exhilarating to see people taking something destructive and turning it into something creative; with that in mind please welcome the Computer Virus Catalog.

  7. List

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  8. List

    As our online editor Liv Siddall said, “If you like sex and you like lions, you’ll like these drawings,” and I think she’s probably right. Maria Luque illustrates naked couples hanging out with what I imagine is a pet lion. Her characters lounge around in the nude, lying across big beds in breezy looking apartments filled with luscious vases and intricate carpets, always accompanied by a big, red quizzical king of the cats. Maria is from Argentina, and she says that she likes to make people laugh with her work. We like her child-like hand and summery colours, and the fact that she’s definitely succeeded in making us giggle.

  9. Main

    Editorial horoscope illustrations tend to be a bit same-y: crabs, women holding scales, goats, fish, blah blah blah. I can’t deny I was surprised yesterday when I saw that Elle Italia had commissioned one of my favourite illustrators to bring their horoscope supplement to life, mainly because Sac Magique is a weird choice for a usually rather reserved publication. They gave him the task of illustrating the horoscopes with the theme of “beach” and my, did he deliver. How refreshing and fun to have something so ubiquitous illustrated with the most fun, summer drawings ever, especially by someone who gave us this Spice Girls image that will forever remain the best thing I have ever seen.

  10. Main

    What do we have here, then? Editorial illustration with a Cubist slant and an entirely unique style? We’ll take that, thanks. Polish illustrator Gosia Herba’s website is basically a treasure trove of projects for diverse clients, but we think her work is the most exciting when the faces are in profile, the bodies buxom and the colour palette muted, so that’s what we’re bringing you. The balance between malleability and a strong aesthetic is a difficult one to strike, but somehow Gosia has it down.

  11. List

    Though it’s been only two weeks since we wrote about Anders Nilsen’s beautiful Rage of Poseidon he’s just knocked out another brilliant piece of graphic art (albeit satirical rather than fantastical) so we felt compelled to feature him again. In this instance he’s lampooning online retail giants Amazon for their detrimental effect on publishing, using some magnificently wry visual metaphors to discuss what appears to be a quite unpleasant situation.

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