There’s not a lot of independent magazines in existence in the Middle East. Fewer still that cross over into a global market (there’s that prohibitive language barrier that gets in the way). And when you look at the few that are on offer (I can actually only think of Brown Book ) it seems there’s only one that really deals with the realities of life in the Arab world.
The Outpost’s inaugural issue landed in September 2012 and since then has garnered a reputation for high-quality journalism and incredibly considered design (the folks at Rifle manage the visuals). But in spite of that, the realities of independent publishing mean the Beirut-based title are looking to their readers to fund their 2014 editions. So if you’re not already a fan, you should consider becoming one, and if you’re already familiar with their work then you probably appreciate the importance of this title. In both instances, we reckon this is one publication that’s deserving of some support – after all it’s hard enough producing mags in a place with a magazine outlet on every street corner.
We’ve not got our hands on the their third issue yet, but by all accounts it looks like a corker.
- Living for the weekend, it's Best of the Web!
- The photographer archiving South Africa’s black lesbian community
- Kirsten Lepore’s creepy clay character is oddly soothing in this brilliant animation
- Friday Mixtape: Grammy award-winning Tinariwen curates a genre-crossing mix
- Designer Kara Zichittella talks about her typographically-led projects
- “Where’s my community?”: Skin Deep and POC on the need for diversity in the film industry
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label