There’s not a lot of independent magazines in existence in the Middle East. Fewer still that cross over into a global market (there’s that prohibitive language barrier that gets in the way). And when you look at the few that are on offer (I can actually only think of Brown Book ) it seems there’s only one that really deals with the realities of life in the Arab world.
The Outpost’s inaugural issue landed in September 2012 and since then has garnered a reputation for high-quality journalism and incredibly considered design (the folks at Rifle manage the visuals). But in spite of that, the realities of independent publishing mean the Beirut-based title are looking to their readers to fund their 2014 editions. So if you’re not already a fan, you should consider becoming one, and if you’re already familiar with their work then you probably appreciate the importance of this title. In both instances, we reckon this is one publication that’s deserving of some support – after all it’s hard enough producing mags in a place with a magazine outlet on every street corner.
We’ve not got our hands on the their third issue yet, but by all accounts it looks like a corker.
- We speak to Lovetrue director Alma Har’el about her surrealist short film for The Fifth Sense
- Adventures in Typography: Spin’s new book about its creative process
- Back once again, it's Best of the Web!
- Photographers Kelia Anne MacCluskey and Luca Venter explore the limits of reality
- Gabriella Boyd’s paintings capture fleeting moments of intimacy
- Friday Mixtape: Because Music's Jane Third creates a lo-fi electronic mix
- Photographer Trent Davis Bailey documents rural American community The North Fork
- Mr Bingo’s Valentine’s cards for single people
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Why creative education for advertising is stuck in the dark ages
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- Graphic artist Patrick Thomas’ found poster collages