Through the letter box this week we received Southampton’s industrial infrastructure, a comprehensive guide to contemporary typography, evolving brand identities, a young invalid’s visitors and a white porcelain conversation piece. Go on, get stuck into this week’s Things.
Steven Harrington: The Thinker
Los Angeles based artist and designer Steven Harrington sent us this white porcelain head. Is it Jesus? Is it a hippy? We’re not sure what it is, but we do know we like it. Apparently Harrington drew on the theme of “creating a dialogue between artist and viewer” when he made The Thinker. Well, it’s certainly a conversation piece.
Greg Moss: The Works
Greg Moss’s project, The Works, focuses on the industrial heritage of his home town Southampton. Through his photographs of the Eastleigh Works, a locomotive and railway carriage building and repair facility, and the soon to close Ford factory, he aims to “record how the hard work and innovation of its workers has helped to define Southampton, and made the city an integral component of the nation’s manufacturing base.” It’s a beautiful, admirable project.
S. J. Harris: Eustace
S. J. Harris’s debut graphic novel Eustace is a delicately drawn, slightly disturbing, decadent treat. This new offering from publisher’s Jonathan Cape tells the story of an invalid boy whose convalescence is suddenly upset by a myriad of prostitutes, drunkards and pipe smoke. We’re looking forward to convalescing with this one.
Computer Arts Collection: Typography vol. 2 pt. 2
The second part of Computer Arts Collection’s typography edition is a thick, glossy, comprehensive guide to contemporary typography and type design sure to make font fanatics drool. Features include trend reports, a look at bespoke type in branding, detailed articles following some impressive projects and visits to typographic studios around the world.
Irene van Nes: Dynamic Identities
Dynamic Identities: How to Create a Living Brand by Irene van Nes is a compilation of dozens of visual identities, looking particularly at logos and how brands need to evolve to become “living organisms.”
- Graphic designer Cecilia Serafini uses typography with vibrant panache
- London-based Osheyi Adebayo references his childhood in his retro graphic design
- Tristan Pigott paints “real contemporaries” in upcoming solo exhibition, Juicy Bits
- “The great thing about this book is you don’t have to read it”: sculptor Wilfrid Wood on his favourite books
- The return of the hovering art director: Nejc Prah visualises a day in the life of four art directors
- Hippolyte Cupillard’s film follows the dreamlike ascent of a mountain climber
- The return of the hovering art director: we asked comic artist Nadine Redlich to peer inside agency life
- Photographer Carlota Guerrero depicts the female body as a canvas for Apartamento (NSFW)
- After Disney, Nickelodeon and Cartoon Network, Miranda Tacchia’s characters found life on Instagram
- How to go freelance: need-to-know advice from creatives who made it
- YouTube releases its first own-brand font, YouTube Sans, inspired by the play button
- Photographer Raymond Rojas captures the “magic” in Disneyland Paris