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    11 out of 10

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    11 out of 10

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    The One Weekend Book Series

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    The One Weekend Book Series

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    The One Weekend Book Series

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    The One Weekend Book Series

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    Der Greif

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    Der Greif

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    Der Greif

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    Der Greif

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    The Human Printer

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    The Human Printer

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    The Human Printer

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    The Human Printer

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    No. #3, #4 and #5 zine

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    No. #3, #4 and #5 zine

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    No. #3, #4 and #5 zine

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    No. #3, #4 and #5 zine

Illustration

Things

Posted by Bryony Quinn,

Seriously good stuff this week. The Human Printer present their process secrets, The One Weekend Book Series go to Paris, Der Greif publish a story filled third issue, “all is number” with No.Zine who sent us three, four and five and finally, Raw Design make good at least one of their resolutions to “make things better” with a nice letter pressed poster. Cmd-colon, cmd-zero, people.

No. zines Patrick Fry

A spectrum of talented contributers (how’s about Benbo George, Michael Willis, Colin Henderson, Zoe Barker for starters?) plus Patrick Fry, of course, with his multi talents for curation, design, illustration and art-direction makes No. zines a happy thing. Independent art zines are not uncommon, but the attention to quality design, stock and finish plus the sheer variety of contributers make No. zine better than most.
www.nozine.com

The One Weekend Book Series. Volume Ten / January 2009 M.Lorenz, Antoine + Manuel

The premise is this – “each issue M. Lorenz and a Guest Artist are given 48 hours to experience a city, document it and create a visual diary without the use of computers”. What they made is a dreamy (fever induced, I believe) and personal record of Paris, “an exhibitionistic view of the personal state” in a sequential series of abstract washes and collated details. The cover has excellent gold foil stamping and I enjoyed the pantone blue of it all. Really nicely put together with considered design work by Two Points.
www.theoneweekendbookseries.com
www.twopoints.net

Der Greif Design by Simon Karlstetter, Leon Kirchlechner and Felix von Scheffer

Or, The Grab is a truly excellent photography magazine in the way that it conciously picks and places images that appear to tell their own stories with appropriate form, design additions and not a little intrigue. Some works deserve honorable mention like Ophelia by Ian Dunn (I think…) , a superfluous photo of a dress that appears as if submerged and Dominique Müller-Grote. The cover is also excellent.
www.dergreif-online.de

The Human Printer Book Design by Louise Naunton Morgan

An interesting process book documenting the staggering human printer by Louise Naunton Morgan. A limited run, this risographed and manually compiled book is like a happy after thought of a genuinely engaging process. Page 23 is my favourite. You get to “meet” the “printers” and take note of effectual character traits like ‘steady and reliable’ 01-Tubbs, she can be on my team.
www.thehumanprinter.org
www.hatopress.net

10 out of 11 Raw Design

“Millions of us make New Year resolutions in order to make the impending year a success – this poster hopes to offer some inspiration to make 2011, 11 out of 10.”. Letterpressed sentiments-come-resolutions make this two colour poster an exellent antidote to the new year’s inevitable Fail list. Quality as ever from Raw who know the worth of a good bit of print.
www.rawdesignstudio.co.uk

Portrait9

Posted by Bryony Quinn

Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.

Most Recent: Illustration View Archive

  1. Carlindiaz-itsnicethat-main

    It’s rare to find people who can animate with true flow while still retaining their signature style, but in the case of Carlín Díaz it seems he’s mastered the art perfectly. An illustrator who dabbles in moving image, Carlín is one of the small but perfect little group of illustrators and animators that live and work in Paris. We’ve heard that over in Paris the illustration scene can be hard to crack, and even harder to earn a living from, yet in his bio Carlín’s mission statement is: “Let’s make attractive and expressive shapes,” which suggests he’s doing alright. Personally I haven’t seen someone with a strong a personal style as Carlín’s in a long while – kind of psychedelic with a hint of mysticism and sauciness, yet still retaining that hypnotic, liquid-like flow throughout.

  2. Lea-itsnicethat-main

    Great work here from German illustrator and comic artist Lea Heinrich who, according to her online bio, “often dreams about being on a subway train traveling underneath the massive steel and concrete construction of New York City. Sometimes she observes the other passengers, sometimes there’s nobody else on the train, and sometimes she doesn’t know where she is going, but either way it’s always exciting.” Cool! Her work is a nice mishmash of urban cuteness à la Andy Rementer and old German folk tales, and her comics have a wit about them not dissimilar to someone like Frau Franz or Matt the Horse. As well as being totally adept at cartoons and comics and illustrations, Brooklyn-based Lea can also design a banging poster, which is always a big plus.

  3. Marcelgeorge-port-itsnicethat-list

    Maybe it’s because I am a notoriously un-stylish man, but the product spreads in magazines usually do absolutely nothing for me. Flicking through multiple pages of artfully arranged man-bags strikes me as purgatorial, but I understand these kinds of features often have a commercial rationale in the complicated financial climate of modern magazine-making. Credit though when a publication strives to do something more interesting with these spreads, like the Russian version of Port magazine (or Port Россия) which commissioned Marcel George to illustrate a recent feature on watches.

  4. Adamnickel-itsnicethat-main

    I came across Adam Nickel’s work on a Mr Porter Journal article entitled How To Speak Professional-ese which outlined how the common man can attempt to understand office and business jargon. Adam Nickel’s perfect for a brand like Mr Porter. His drawings are inspired directly from packaging design and illustration in the 1950s and early 1960s, channeling the kinds of characters you may have seen rushing about in the background of The Pink Panther or chasing a pesky critter through some well-animated opening credits. Adam states on his site that he’s a lover of all things old – I assume he’s referring to design? – and is pushing out so-good-they-could-almost-be-actually-vintage illustrations at a mile a minute. Definitely one to commission if your brand or publication is lacking a spot of style and olde worlde charm.

  5. Sarahmazzetti-mit-itsnicethat-list

    It’s always a joy to hear from Bologna-based illustrator Sarah Mazzettti who has been a firm favourite of ours since we first stumbled across her gig posters back in 2012. The Italian image-maker seems to have settled on a more confident style in recent months and big-name commissions from the likes of Vice, The New York Times and MIT Technology have duly followed. But that unpredictable playful sensibility we so loved has not been entirely banished, as evidenced by her huge yellow giant holding up a room for the TICTIG exhibition at Casa Testori in Milan.

  6. Hattie-stewart-itsnicethat-list-2

    Hattie Stewart is back – not that the self-proclaimed doodle-bomber ever goes away for long – and this time it’s with reams of new work for her very own exhibition at the House of Illustration, entitled Adversary. In the first of what looks to be a whole series of commissions by the London-based gallery, she has created a collection of new (and enormous) pieces in her signature doodle style, decorating images from pop culture with accessories, stripes, googly eyes and emojis and generally elevating them beyond magazine fodder and into something entirely unique and infinitely bolder. 

  7. Jonjones-itsnicethat-list

    You know what we really love apart from great illustration? Seeing how that great illustration was made. Jonathan Jones is a South African illustrator who flits between countries making his beautiful work, but what sets him apart from most of the rest of his freelance counterparts is the way he documents that work online. It’s lovely of course to see the final product of his endeavours, but to see layers of red, yellow and blue build up into a singular image allows a kind of eureka moment where you instantly understand the practitioner’s skill and wish you’d spent more time learning about colour separations at university.

  8. Steven-harrington-itsnicethat-listr

    If pastel colours, psychedelia, totemic piles of strange, Lennon-esque faces and a Salvador Dalì approach to yin-yang symbols are your thing, it’s likely you’ll love the work of illustrator Steven Harrington. The California-based illustrator has spent his career making dreamy, magic, sunshine-infused work; and he’s recently updated his site with a bunch of new work. The piece that really made us grin like a blissed-out, long-haired hippy is the poster for Noise Pop, a refreshingly playful approach to promoting the likes of the equally playful Dan Deacon. Elsewhere, Steven’s been keeping himself busy designing some great patterns and images for New York clothes brand Staple, which are all melting yin-yangs and cactuses bent into Loch Ness Monster-type forms, naturally.

  9. Sacmagique-itsnicethat-main

    Sac Magique’s back with a brand new (magic) bag! The Finnish artist has updated his site – which I check almost as regularly as the news – with a bunch of new drawings in a new, sketchier style. As always his work has gotten funnier and more daring and I daresay he’s cracked up the weird levels a few notches. That’s why I love him, much like fellow Helsinki-based illustrator Rami Niemi, he approaches briefs from big brands with a carefree childish wit, unafraid to use cuss words, toilet humour and sarcasm in ample spoonfuls. He’s been making work for bands such as Fat White Family recently, and has been making personal work that rings of the cynical one-line cartoons found in pages of The New Yorker –the one entitled Drunk Online Shopping, and the London scene in particular. Sac, I love you. Let’s elope.

  10. Bernhardaxilko-itsnicethat-main

    Excuse the pun, but I’m a sucker for penis drawings. Birthday cards, desks, walls, Post-Its, other people’s books, car windscreens: to me the world is but a canvas for penile artwork. Judging by his startlingly extensive back catalogue of sexually charged, penis-infused illustrations, it seems Belgrade-based artist Bernharda Xilko is on the same page. His style is in the same camp as people like Patrick Kyle and Paul Paetzel but comes with a side order of terror, penetration and science fiction. For me, I like the depth of his one-panel cartoons, and how you can stare at it for a while like a saucy magic eye painting, and keep finding things you had missed first time around.

  11. Newyorker_01-wilfrid-wood-itsnicethat_list

    Giving us proof if it were needed that humour and style are in no way mutually exclusive, Wilfrid Wood has created a sweet, strange series of his signature plasticine caricatures for The New Yorker. The illustration spots feature throughout the mag’s style issue, aiming to sum up a variety of different New Yorkers “with hats and scarves and various accessories,” Wilfrid helpfully points out. As is typical of Wilfrid’s work, they’re very odd, sometimes ugly, and very brilliant, and rudimentary as they are we’re sure there’ll be a few folk in the Big Apple who see a little bit of themselves in these lumpy visages.

  12. Alisondubois-after-itsnicethat-list

    Alison Dubois is a San Francisco-based illustrator who channels all of the vitamin D from her native temperate climate into her work. Take After, for example, a collection of re-creations of works by great masters, including Henri Matisse, Peter Doig and a handful of Paul Gauguins. Her drawings are rendered in felt tip and dominated by primary colours, and looking at them for too long feels something like consuming a bottle of Sunny D via an IV drip.

  13. Thomas-slater-mosaic-itsnicethat-list

    It’s a good job “Thomas Slater, Illustrator” has such a nice ring to it, as we seem to be spending a lot of time on his website of late. His newest undertaking is for Mosaic, the science-led strand of the Wellcome Trust which is using commissioned illustration and photography to make even the most opaque of articles on their journal absorbing. For a piece entitled Do You Need to Go to Parent School? Thomas has created a series of drawings depicting kids both being encouraged by, and outsmarting, their ambitious parents – putting them on school buses, playing at being doctors from their buggies, or having their brains measured while diligently sipping on juice cartons. It’s the kind of commission which shows editorial illustration at its most challenging, but somehow Thomas manages to convey broad ideas about parenting and education with a simple and bold colour palette, outsmarting us all in the process.