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A stack of three hardback books titled “Think in Colour”. The covers feature bold, colourful typography against a black background with vibrant, neon-coloured edges.

Publication: Excellent book documents the graphic design brilliance of Hugo Puttaert

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Date
14 April 2014

There’s great anecdote in Rick Poynor’s introduction to Think In Colour, a celebration of Belgian graphic designer Hugo Puttaert and his Visionandfactory studio. In 2010 Hugo was commissioned to produce a poster for a contemporary art exhibition in Aalst but the clients eventually decided they didn’t like it and rejected it. No matter; Hugo paid for it to be printed himself and then had it flyposted across the city on the eve of the show. “Those who believe in the medium’s potential,” Rick notes shrewdly, “have no alternative but to keep pushing.”

Hugo is a designer who wears many hats – teacher, publisher, conference organiser and writer – but this excellent book showcases the visual work he produced over 24 years with Visionandfactory. Interestingly it is ordered not by chronology or type of work, but as the title suggests by colour. This means spreads from the same project can be found in completely different sections, but give the book what Rick Poynor calls “a novel and intriguing structural coherence…revealing continuities and discontinuities across Visionandfactory’s body of work over more than two decades.”

It’s visually led as you’d expect but the texts by Steven Cleeren (based on conversations with Hugo) anchor the work in the considered and articulate way he thinks about his craft. This perfect balance of insight and imagery makes this a graphic design title from the very top drawer.

An open book displays a black and white collage of various posters, photographs and typographic elements. The pages are filled with a dense grid of imagery and fragments of text, including the words “CHES BREW/ COMA NARROWS”.
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Hugo Puttaert: Think In Colour

An open book displays a vibrant, high-contrast photograph of a staircase. The image uses saturated yellows and deep blues to create a surreal, architectural composition.
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Hugo Puttaert: Think In Colour

An open book displays two pages of graphic design. The left page features a yellow and red composition with the words “Body-LanguaGe”, while the right page shows a yellow block and a black text box reading “what do we read”.
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Hugo Puttaert: Think In Colour

An open book displays a spread of graphic design. The right page features a high-contrast black and white portrait with bold red text reading “Mijnheer Hackerwege”.
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Hugo Puttaert: Think In Colour

An open book shows two pages of bold, stylised typography. The left page is red and yellow, while the right is black and white, both reading “Kunst Enfees Val Dear 2007 9 805”.
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Hugo Puttaert: Think In Colour

An open book shows a two-page spread of bold, high-contrast imagery. The right page features a pink and purple portrait of a person, partially obscured by a striped pattern.
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Hugo Puttaert: Think In Colour

An open book shows two pages of graphic design. The left page features a blue background with rows of white geometric symbols, while the right page displays a colourful, framed abstract composition.
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Hugo Puttaert: Think In Colour

An open book displays a vibrant layout with fluid, organic shapes in blue, green and yellow. The left page features a list of names under the heading “INTEGRATED 2013 INTERNATIONAL ART & DESIGN CONFERENCE”.
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Hugo Puttaert: Think In Colour

An open book displays two pages of vibrant red and yellow gradients. White text is layered over the colours, including the words “acht” and “concentramedia”.
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Hugo Puttaert: Think In Colour

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About the Author

Rob Alderson

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Rob Alderson is a freelance writer, editor and strategist. He was previously editor-in-chief of It’s Nice That and WePresent, and editor of Design Week. He publishes the newsletter Undo, which tries to make sense of how AI is changing design work, the design process and the design industry.

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