In 1954, Tom Eckersley set up the UK’s first undergraduate graphic design course at what was then the London College of Printing (LCP). Now the London College of Communication (the current incarnation of the LCP) is paying tribute to the man who pioneered graphic design’s new identity, as differentiated from commercial art.
With 40 posters ranging from the 1940s to the 1980s, the exhibition (which coincides with the centenary of his birth) aims to “to recognise Eckersley’s immeasurable legacy as a practitioner and teacher.” As LCC dean of design Lawrence Zeegen puts it: “As 21st century communication design and media races ever onwards, finding a moment to pause and reflect upon the discipline’s past, amidst the barrage of multi-disciplinary, multi-platform, multi-layered visual messages, is increasingly relevant.
“It is crucial in our understanding and appreciation of communication design’s past, present and future.”
Tom Eckersley: Master of the Poster runs from January 11 until January 29 at LCC.
- Thomas Prior captures a Mexican festival involving exploding sledgehammers
- The misty-eyed and delicate pencil marks of Lee Kyutae
- Build’s brand identity for product design brand Plæy mirrors its playful and modular designs
- David Bailey's photographs of NW1, republished and exhibited for the first time
- Studio Mut creates a catalogue for Italian art prize that celebrates up-and-coming artists
- A forward-minded retrospective: behind the design of the massive Cedric Price monograph
- Wes Anderson directs H&M Christmas advert starring Adrien Brody
- The New Look: Looking back at Roundel’s 1980s identity design for British Rail’s Railfreight
- Discussing cinema with Laura Marling on her directorial debut, Soothing
- London’s first crisp restaurant, Hipchips, launches with branding by Ragged Edge
- Richard Sandler’s street photography conveys the intricacies of city life
- A "stress opus" from cartoonist Nadine Redlich