Another excellent redeeming quality of all the World Cup shenanigans (aside from this morning’s psychic puppy) is that it lets sticker geeks have their moment in the limelight. For one month ever four years, rather than hiding at home in a darkened room with a Panini album and several of this foil wrapped packs they’re invited out to share their passion with the world. Panini sticker-books are a truly global obsession, and they are the reason for photographer Tom Jenkins’ trek out to São Paulo to photograph inside the factories for The Guardian.
It’s excellent reportage photography; there’s something fascinating about the disdain on the faces of the women carrying crates of stickers from room to room, printing off reels and sorting onto shelves like there’s no tomorrow. And if you’ve ever hunted through one of those packs for a little Ronaldo face you’ll find a strange satisfaction in seeing where they’re all made.
- Want to make an idea a reality? The Jameson Works can help
- Making propaganda about propaganda: Metahaven’s new film considers fantasy and truth in internet culture
- The world’s largest Renoir collection is made accessible to all by filmmaker Phil Grabsky
- Ryan Peltier plays with scale in his neatly constructed space-themed illustrations
- First Dates for those who create: Jessica Walsh and Timothy Goodman talk dating and working (and both)
- Vogue celebrates 100 years of style at the National Portrait Gallery
- VSCO develops new typeface and a symbol-based language as part of its rebrand
- Racy photography from the new issue of Odiseo
- When to wake up, what to drink and how to work: “how to live like a creative” unveiled
- DesignStudio rebrands the Premier League
- Our round-up of last night’s Super Bowl 50 ads
- Hato’s responsive identity design for Pick Me Up 2016