Another excellent redeeming quality of all the World Cup shenanigans (aside from this morning’s psychic puppy) is that it lets sticker geeks have their moment in the limelight. For one month ever four years, rather than hiding at home in a darkened room with a Panini album and several of this foil wrapped packs they’re invited out to share their passion with the world. Panini sticker-books are a truly global obsession, and they are the reason for photographer Tom Jenkins’ trek out to São Paulo to photograph inside the factories for The Guardian.
It’s excellent reportage photography; there’s something fascinating about the disdain on the faces of the women carrying crates of stickers from room to room, printing off reels and sorting onto shelves like there’s no tomorrow. And if you’ve ever hunted through one of those packs for a little Ronaldo face you’ll find a strange satisfaction in seeing where they’re all made.
- Camelot’s typefaces bring both the contemporary and historical to the table
- Scott Newett’s eerily quiet, ethereal portraits of Chinese utopia
- Jade Schulz’s atmospheric and imaginative editorial illustrations
- Emiliano Granado’s new zine puts a fresh spin on Tour de France fandom
- The big cover up: Mathieu Tremblin's translations of graffiti
- Artist Howard Fonda captures the vibrancy of summer for Ace & Tate
- Benedict Redgrove’s beautifully hypnotic film about how a tennis ball is created
- Tommy Cash subverts the tropes of rap videos with a fleshy celebration of the human body (NSFW)
- Ian Davis’ picturesque paintings of bureaucratic dystopia
- Is it ever OK to work for free?
- Pentagram unveils refresh of Mastercard’s brand mark and identity
- Peter Saville and Tate Design Studio create beer can artwork for Switch House pale ale