Another excellent redeeming quality of all the World Cup shenanigans (aside from this morning’s psychic puppy) is that it lets sticker geeks have their moment in the limelight. For one month ever four years, rather than hiding at home in a darkened room with a Panini album and several of this foil wrapped packs they’re invited out to share their passion with the world. Panini sticker-books are a truly global obsession, and they are the reason for photographer Tom Jenkins’ trek out to São Paulo to photograph inside the factories for The Guardian.
It’s excellent reportage photography; there’s something fascinating about the disdain on the faces of the women carrying crates of stickers from room to room, printing off reels and sorting onto shelves like there’s no tomorrow. And if you’ve ever hunted through one of those packs for a little Ronaldo face you’ll find a strange satisfaction in seeing where they’re all made.
- Creative director David Lane tells us about redesigning frieze and creating campaigns for Hermés and Ally Capellino
- Photographer Zuza Krajewska's fragile portraits of Polish young offenders
- Anibal Bley’s Risograph zine experiments with glitchy patterns and illustrations
- CG Watkins’ narratively driven photography conveys mystery and escapism
- Sharp Type creates punchy typeface inspired by Swiss designer Adrian Frutiger
- Illustrator Susa Monteiro’s lonely figures battle the elements
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio