My favourite thing about Paris-based design studio Twice is that they continually combine texture and colour in such a way that I’m practically banging my hands into my computer screen with wanting to hold their publications in my hands. That’s the trouble with tactility – it’s not practical – but that shouldn’t mean designers abandon it altogether in favour of a wipe-clean, stark, sterile aesthetic that makes us lose all hope in print.
For this project, Fanny Le Bras and Clémentine Berry created an identity and print collateral for Design Parade 9 at Villa Noailles, Hyères. It’s a testament to the kind of tactility that’s got me looking so daft, with a cloth-bound cover and a primary school-esque palette that’s bold but confident in its restrained approach. Here’s to publications that are crying out to be held.
- Danish illustrator Rune Fisker’s clean, windswept surrealism
- Filmmaker Alice Dunseath presents a meditative reflection on life
- Edinburgh graduate Jack Fletcher's beautiful woodcut illustrations
- There Is' ace new typographic projects for Wired and New York Times magazine
- Clase bcn's bright but elegant identity for a Barcelona concert hall
- Craig Gibson's photography is sincere and refreshing
- Yolanda Dominguez asks kids to describe what they see in fashion campaigns
- Street photography shot on an iPhone during fake phonecalls by Jay Giampietro
- Tokyo 2020 Olympic and Paralympic logos unveiled
- Illustrated campaign for Volkswagen uses parents lying to children as a metaphor
- Should creatives ever accept unpaid work? We ask some seasoned experts
- We get a sneak peek of TASCHEN's new book documenting 50 years of Pirelli