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A stack of books and magazines lies fanned out on a wooden surface. The top book features a close-up portrait of a person and the text “Raf Simons isolated heroes”.

We celebrate the new issue of Twin with founder Becky Smith's Bookshelf

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Date
18 November 2014

Yesterday marked the launch of the brand new issue of bi-annual hardback Twin magazine, the defiantly substantial glossy publication that clubs fashion, art and culture together through interviews and gorgeous imagery. This issue includes photographs by Petra Collins, an archive of childhood shots of Kate Bush taken by her older brother and an interview with the remarkable Neneh Cherry, so to celebrate we thought we’d have founder Becky Smith show us the five books which have inspired and influenced her. In the process, we learned who her favourite photographers are, whose rare books she’s lucky to have laid her hands on and the unlikely inspiration behind the name “Twin”. Read on!

The cover of a book titled “At Twelve: Portraits of Young Women” by Sally Mann. A black and white photograph shows a person from the waist down, leaning against a chair that holds a smaller, weathered portrait.
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Sally Mann: At Twelve

An open book displays two black and white photographs. On the left, a person wearing a “Calvin Klein” T-shirt and cuffed jeans sits on a sofa. On the right, a close-up portrait shows a person looking upwards.
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Sally Mann: At Twelve

Sally Mann: At Twelve

I had Sally Mann’s classic photo of the young girl smoking on my wall for many years. I discovered this book and then watched the documentary on her, called What Remains. At Twelve is sometimes a controversial one. The girls photographed all live in Rockbridge County, Virginia. Mann explains that she had access to the girls and their families because her father was an obstetrician and delivered thousands of babies there during his life. Some would call the images “taboo,” but for me the girls aren’t displaying themselves to titillate. Rather, they seem to be sharing with Mann their state of self-knowledge, showing what they have begun to take possession of – physically and emotionally, with pride, joy or defiance – as females. Trust is the main ingredient in making portraits as beautifully intimate as these.

The cover of a book featuring a close-up portrait of a person looking off-camera. Text at the bottom reads “Raf Simons” above the title “isolated heroes” in blue.
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Raf Simons and David Sims: Isolated Heroes

An open book on a wooden floor. The right page features a black and white profile portrait of a person with a short crop haircut and a leather jacket.
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Raf Simons and David Sims: Isolated Heroes

Raf Simons and David Sims: Isolated Heroes

This is a really rare book that I’m lucky to have! This is the cover of Isolated Heroes, the fashion photo book by Raf Simons and David Sims, published in 1999 based on their collaborative work together in the summer of that year. Raf is now the newly appointed artistic director of Dior. I love how Simons and Sims sidestepped established male models and cast from the streets of Antwerp. The styling and, more than anything, the haircuts redefined menswear as a direct product of street culture. It’s an inspired book. Simons was heavily influenced by Joy Division and Kraftwerk and their stylistic legacy.

The cover of a book titled “10 Women by Peter Lindbergh”. A list of ten models is printed in a column to the right of the main title.
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Peter Lindbergh: 10 Women

An open book shows two photographs of the same person. On the left, they wear large white wings and a white coat on a busy New York street. On the right, a black and white close-up shows them leaning on a table with a paper cup.
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Peter Lindbergh: 10 Women

Peter Lindbergh: 10 Women

Peter Lindbergh is my all time favourite photographer. I met and worked with him recently and he’s a gorgeous guy, a big friendly teddy bear! Here he captures the ten famous supermodels of the time – Naomi Campbell, Helena Christensen, Cindy Crawford, Linda Evangelista, Kristen McMenamy , Kate Moss, Tatjana Patitz, Claudia Schiffer, Christy Turlington and Amber Valletta. Peter is one of the best because he concentrates on the women, not the clothes. I also lovr how he doesn’t always over retouch or Photoshop his subjects to become “plastic fantastic.” He respects the natural beauty of real women.

A pale pink book cover rests on a light wood surface. The text reads “Juergen Teller” and “Charlotte Rampling” at the top, with “Louis XV” centred in the middle.
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Juergen Teller: Louis XV

A person sits on a stool beside a grand piano, looking towards another person who is lying upside down on top of the instrument. The scene is set in a bright, classically styled room with wooden floors.
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Juergen Teller: Louis XV

Juergen Teller: Louis XV

Teller really does it all in this book – getting drunk at his father’s grave, carrying a tray laden with German food, wearing a bomber jacket. He seems to be trying to expose the myth of maleness, even exposing his white German ass to the camera, which takes some balls! That some of his subjects – O.J. Simpson, Kate Moss, Yves Saint Laurent – are not German does not mean they are immune to being “Germanised” by Teller’s lens.

A book cover for “Diane Arbus: Revelations” rests on a light wood surface. The cover features a black and white portrait of a person, framed by film strip borders.
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Diane Arbus: Revelations

An open book displays two black and white photographs. On the left, two children stand in a park; on the right, a person sits in a wheelchair.
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Diane Arbus: Revelations

Diane Arbus: Revelations

I love that Diane always dared to photograph the “freaks,” or subjects that were seen as forbidden at the time. I remember exactly where I was when I first saw these images. It was around the time I was thinking of a name for my magazine, and in this instance I took inspiration from the “twins” series. An image can bring back such a poignant memory for me.

I had just read the Diane Arbus biography by Patricia Bosworth, which was where I read about Ruth Ansel for the first time – she was an art director at Harpers Bazaar US at the time when Diane started working for them. I found many similarities between Ruth and myself, working at Vogue and Harpers, and ended up emailing Ruth, then meeting her, and I put her in Twin magazine early on. She’s such an amazing lady! I’m so glad to have found out about her through the book.

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About the Author

Maisie Skidmore

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Maisie joined It’s Nice That fresh out of university in the summer of 2013 as an intern before joining full time as an Assistant Editor. Maisie left It’s Nice That in July 2015.

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