Typography fetishists – assemble! The New York based Type Directors Club has revealed the winners of its communication design, typeface design and title design awards and as ever it’s a fountain of font-based fabulousness (our words, not theirs). With over 1,600 entries from 33 countries (although 52% from the USA) it’s a mammoth task to whittle down to some semblance of winners and in all well over 200 projects were garlanded.
In the interests of then of time, space and sanity we have decided to showcase the judges’ choice winners, where it was a delight to see student work honoured alongside titans of the typographic world like Rogers Eckersley Design and EdenSpiekermann.
These last two took prizes for self promotion and the Red Bull Music Academy website, but special mentions to the Playtype website, Cesar Puertas’ typeface for Columbian newspaper La República and Lorenz Klingebiel and Nicolas Kremershof’s brilliant poster.
Paula Scher of Pentagram is designing Typography 33 featuring the winners which will be out at the end of the year.
- Danish illustrator Rune Fisker’s clean, windswept surrealism
- Filmmaker Alice Dunseath presents a meditative reflection on life
- Edinburgh graduate Jack Fletcher's beautiful woodcut illustrations
- There Is' ace new typographic projects for Wired and New York Times magazine
- Clase bcn's bright but elegant identity for a Barcelona concert hall
- Craig Gibson's photography is sincere and refreshing
- Yolanda Dominguez asks kids to describe what they see in fashion campaigns
- Street photography shot on an iPhone during fake phonecalls by Jay Giampietro
- Tokyo 2020 Olympic and Paralympic logos unveiled
- Illustrated campaign for Volkswagen uses parents lying to children as a metaphor
- Should creatives ever accept unpaid work? We ask some seasoned experts
- We get a sneak peek of TASCHEN's new book documenting 50 years of Pirelli