American artist Victoria Haven evidently loves geometry. Her composite shapes and web-like, skeletal works take the form of paintings, photography and sculpture. They remind me of abstract landscapes or imaginative geology formed out of strips of tape, thick painterly lines of ink and watercolour, or solid steel struts. Playing with perspective, she manipulates 2D and 3D space to create elegantly simple but bold pieces that float in space, and are, well pretty captivating. I find myself trying to follow the lines, and untangle the puzzle of interlocking shapes. Each time I look at them, I almost see a new combination of projecting and retreating surfaces.
Produced over a number of years, in an almost obsessive way, Haven has built up an extensive portfolio that explores this geometric representation anew. I wonder if her fascination will ever wane or if she will continue adding to this series. I certainly hope so.
- "Where’s my community?": Skin Deep and POC on the need for diversity in the film industry
- Jee-ook Choi conveys complex ideas using fine linework and muted colours
- Photographer Mehdi Lacoste on working with Actress
- French designer Victoire Coyon’s understated portfolio
- Unit Editions’ upcoming book on the unparalleled work of Paula Scher
- A creative composite of illustration: ten years of Christoph Ruckhäberle’s Lubok
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label