American artist Victoria Haven evidently loves geometry. Her composite shapes and web-like, skeletal works take the form of paintings, photography and sculpture. They remind me of abstract landscapes or imaginative geology formed out of strips of tape, thick painterly lines of ink and watercolour, or solid steel struts. Playing with perspective, she manipulates 2D and 3D space to create elegantly simple but bold pieces that float in space, and are, well pretty captivating. I find myself trying to follow the lines, and untangle the puzzle of interlocking shapes. Each time I look at them, I almost see a new combination of projecting and retreating surfaces.
Produced over a number of years, in an almost obsessive way, Haven has built up an extensive portfolio that explores this geometric representation anew. I wonder if her fascination will ever wane or if she will continue adding to this series. I certainly hope so.
- Oliver Jeffers, Yuri Suzuki, Anna Ginsburg and Jimmy Turrell at Nicer Tuesdays
- An exercise in colour and control: David Hockney’s 82 portraits and one still life at the RA
- Woodstock 1969 immortalised on film by iconic photographer Baron Wolman
- Laurina Paperina's dark, weird but charming work
- Studio Frith creates Patti Smith-inspired identity for the inaugural Art Night festival
- Cindy Yang’s poignant animation questions the routine and mundanity of life
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- The Imperfection Booklets by O.OO explain the nuances of Risograph printing
- Reactions to the referendum and our weekly Best of the Web
- Babak Ganjei paints 90s sitcom sitting rooms. But which one's which?
- Pop, subcultures and the future of graphic design: an interview with Experimental Jetset
- Oliver Curtis photographs the world’s most famous monuments, the wrong way round