• 1

    VLF

  • 3

    VLF

  • Vlf_escabeau

    VLF

  • 2

    VLF

  • Vlf_andreacrews1

    VLF

  • Vlf_cactuspacifie

    VLF

  • Vlf_cerclesconcentres

    VLF

  • Vlf_elodieverdan1

    VLF

  • Vlf_insidebackstage1

    VLF

  • Vlf_insidebackstage7

    VLF

  • Vlf_laserlaser_vol1a

    VLF

  • Vlf_laserlaser_vol1b

    VLF

  • Vlf_limparfaite3_0

    VLF

  • Vlf_limparfaite3_5

    VLF

  • Vlf_lvdovicomagno1

    VLF

  • Vlf_lvdovicomagno3

    VLF

Graphic Design

VLF

Posted by Bryony Quinn,

Since 2005, Antoine Roux and Thomas Cristiani have been making books and posters, taking photos and designing web stuff together. They’ve also been experimenting with things – “plants, rocks, jpegs” – just so they can create things together – which is very nice. It means both their art and design has the same thoughtful sangfroid and is based on not a little mutual play. New work and a satisfyingly navigable website was reason enough for us to ask a couple more questions by way of an introduction to the duo.

What kind of experiments do you guys do? Are these design or art experiments?

We don’t think in terms of design or art at this point, it’s just raw work. We choose to work with a particular material (plants, rocks, jpegs), so we get as much as we can and then just play with it. Sometimes it’s a combination of medias or even really simple things. It goes from very random to very precise, depending on the subject we’re interested at the moment. For example, once we decided to watch movies with the wrong subtitles, creating new movies like Men In Fiction (Men In Black with Pulp Fiction subtitles) or Stranger Than Translation (Stranger Than Paradise with Lost In Translation subtitles), it didn’t get us anywhere for the moment but it was really fun and we got some nice screenshots.

What came first – the design or the art work and how does your process change in approaching each one?

Design came first in the context of our school. We became more and more interested in the content and naturally started to produce with artistic perspectives. Later we had the occasion to focus on art work in a fine art school and assumed it was possible to do both. As we were students we had trouble making the difference between art and design, they were connected, dependent on each other. We still don’t know how to approach either.

Are you commissioned to do the artwork?

No, our artwork is based on personal research but every collective exhibition we participate in is an opportunity to produce something new and interact with a curator.

Portrait9

Posted by Bryony Quinn

Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.

Most Recent: Art View Archive

  1. List

    Some artists, immensely talented and original though they may be, simply don’t make work that fits in the grandest art galleries of the world. Fortunately for them there are super-cool concept stores created specifically to house such work, and queen of all of these is Colette. Hiro Sugiyama’s surreal, hilarious and altogether unsettling artwork is a natural fit for Paris store Colette’s carefully curated collection of the avant-grade and the offbeat.

  2. List

    Few forces shape the modern world more than the internet and yet it’s an invisible presence that we just understand is there. But PhD student Luis Hernan has changed that by designing a system which scans for wireless networks and creates images where different signal strengths are represented by different coloured LED lights. The results, in essence, allow us to see the WiFi around us.

  3. Main9

    Anyone in New York had better gallop over to Ed. Varie gallery to catch a new show by the ever-wonderful artist Ana Kraš. We’ve posted about Ana a few times, mainly about her beautiful lamps and designs to make your home/life better, and her fun collaborative photography projects. Her show at Ed. Varie entitled Mothers with Spoons and Relationships is an exploration into her more recent love of drawing, using predominantly back-to-basics art supplies such as wax, crayon and oil pastel.

  4. List

    When we last encountered Essex-based painter Simon Monk he was busy preserving toy superheroes in plastic bags and rendering them with hyper-real precision. Secret Identity explored the strange imbalance of the powers ascribed to superheroes and the powerless inertia of their model representations. Since then he’s focussed his attention on one plastic superhero in particular, treating Batman with torturous sadism and restricting him with any binding he finds to hand. He’s been netted, taped, cling-filmed and roped down, trapped forever in a compromised position thanks to Simon’s dangerously accurate brushwork.

  5. Main

    I came across Graham Little when going through content from the site, he was one of the first people I ever put on the site about three years ago. To revisit his work reminded me just how much I loved him the first time around, particularly as he’s been very busy in the last few years and has created some absolutely stunning new work. There’s something about the poses, and the calm nature of his nymph-like female subjects that makes me slightly uneasy.

  6. Main9

    I’m the third person to take a turn waxing lyrical about the art of Bryan Olson (he was discussed here and here in the past), but I don’t mind, I’m just happy to have the opportunity. The North Carolina-based artist is arguably the master of his medium; a creator of collages so delicately crafted it’s often impossible to tell they’ve been made from hand-cut paper. Though it’s by no means his only concern Bryan focusses a great deal on the cosmos in his work, leaving strange portals into the unknown at the centre of his images or placing earthly objects within inter-planetary scenes. It’s a heady combination that lures viewers in, making them feel like children gazing at a dense night sky or an adult on one hell of a trip.

  7. List

    The phrase “artistic intervention” has a chequered past, but we’re struggling to think of a more impressive example than Frank and Patrik Riklin’s BIGNIK. The ongoing project aims to build a huge picnic cloth by 2040, made up of 252,144 panels – one for every person in the Appenzell region of Switzerland.

  8. Main

    Sure, here at It’s Nice That we love fine art. You may even walk past us on the weekend ambling around in galleries, or poring over art books in libraries. We champion some of the most exquisite architecture, sculpture and filmmaking along with some of the most groundbreaking works of art made in modern times. What you define as “art” is a personal thing, but I can tell you now that when it came to voting on content for the site (we decide on content via a voting process around a table FYI) this Presidents with Boob Faces was a unanimous “YES” from each knowledgeable, art-loving member of the It’s Nice That team. When you can see hard, skilled craftsmanship and evidence of a brave artist taking one small idea and running really, really far with it, how can you resist loving it? These are amazing, and artist Emily Deutchman should be very, very proud of herself.

  9. Main

    When something is well-designed, be it a magazine, building, fashion collection or car – it should be well-celebrated. To honour the spectacular and cutting-edge design of the brand new Lexus NX, a new digital art exhibition entitled NX-Perspectives has been launched. Gathering together some of the world’s leading creative thinkers, makers and doers, Lexus have assigned them to create a special piece of performance art inspired by the Lexus NX to exhibit in the digital show.

  10. List

    London-based artist Aleksandra Mir has been busy over the past month investigating the process of drawing in a collaborative experiment that invites participants to contribute to a giant collage of the London skyline, rendered entirely with Sharpies. The process of creating the work was part of the exhibition itself, with Aleksandra and her team engaged in drawing everything by hand during the first days of the show. But for those that missed it there’s also a beautiful time-lapse film of the process, providing context and insight to this giant piece of collaborative draughtsmanship.

  11. List

    I know what you’re thinking, you’re thinking; “How on earth did that priest train a dolphin to carry him like that?” Or maybe you’re thinking; “Where did the photographer have to stand to capture that image?” Or perhaps, in fact, you’re thinking; “This HAS to be fake.” But all of these lines of inquiry are valid in the world of Joan Fontcuberta, the Spanish artist and photographer who’s latest exhibition has just landed at The Science Museum’s Media Space.

  12. List

    You’re on the internet, so you probably like cats, right? Well, these woodblock prints by Tadashige Nishida capture all of those cat qualities that we love to love: his creepy but cute kittens are unafraid and alert, always listening and sensing, and very delicately, playfully poised. Tadashige renders the subtle lines of a cat’s body against brilliantly bold backgrounds, and it is very difficult to work out just what it is that makes his prints so hypnotically intriguing. Doris Lessing, one of literature’s best cat lovers, describes the curious creatures in the following way: “If a fish is the movement of water embodied, given shape, then cat is a diagram and pattern of subtle air.” Tadashige captures these dexterous and whimsical cat attributes beautifully in his surprising, minimalist prints.

  13. List1

    The only real auction action we get exposed to regularly is top programmes like Bargain Hunt or Flog It! but recently the whole auction concept has started to be used in a way that removes our cliched expectations of a collection of people (eccentric oddballs) bidding on antiques (old stuff).