• 1

    VLF

  • 3

    VLF

  • Vlf_escabeau

    VLF

  • 2

    VLF

  • Vlf_andreacrews1

    VLF

  • Vlf_cactuspacifie

    VLF

  • Vlf_cerclesconcentres

    VLF

  • Vlf_elodieverdan1

    VLF

  • Vlf_insidebackstage1

    VLF

  • Vlf_insidebackstage7

    VLF

  • Vlf_laserlaser_vol1a

    VLF

  • Vlf_laserlaser_vol1b

    VLF

  • Vlf_limparfaite3_0

    VLF

  • Vlf_limparfaite3_5

    VLF

  • Vlf_lvdovicomagno1

    VLF

  • Vlf_lvdovicomagno3

    VLF

Graphic Design

VLF

Posted by Bryony Quinn,

Since 2005, Antoine Roux and Thomas Cristiani have been making books and posters, taking photos and designing web stuff together. They’ve also been experimenting with things – “plants, rocks, jpegs” – just so they can create things together – which is very nice. It means both their art and design has the same thoughtful sangfroid and is based on not a little mutual play. New work and a satisfyingly navigable website was reason enough for us to ask a couple more questions by way of an introduction to the duo.

What kind of experiments do you guys do? Are these design or art experiments?

We don’t think in terms of design or art at this point, it’s just raw work. We choose to work with a particular material (plants, rocks, jpegs), so we get as much as we can and then just play with it. Sometimes it’s a combination of medias or even really simple things. It goes from very random to very precise, depending on the subject we’re interested at the moment. For example, once we decided to watch movies with the wrong subtitles, creating new movies like Men In Fiction (Men In Black with Pulp Fiction subtitles) or Stranger Than Translation (Stranger Than Paradise with Lost In Translation subtitles), it didn’t get us anywhere for the moment but it was really fun and we got some nice screenshots.

What came first – the design or the art work and how does your process change in approaching each one?

Design came first in the context of our school. We became more and more interested in the content and naturally started to produce with artistic perspectives. Later we had the occasion to focus on art work in a fine art school and assumed it was possible to do both. As we were students we had trouble making the difference between art and design, they were connected, dependent on each other. We still don’t know how to approach either.

Are you commissioned to do the artwork?

No, our artwork is based on personal research but every collective exhibition we participate in is an opportunity to produce something new and interact with a curator.

Portrait9

Posted by Bryony Quinn

Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.

Most Recent: Art View Archive

  1. List

    Swedish creative Henrik Franklin is a designer, illustrator and animator with two of the world’s leading design schools (Konstfack in Sweden and Rhode Island School of Design) sparkling on his CV. Invited to showcase his considerable talents in Anna Lidberg’s Gallery 1:10 – “the miniature gallery for contemporary art” – Henrik produced a table of tiny tomes and the attention-to-detail on each cover design is really impressive.

  2. Main

    Victoria Siddall has worked at Frieze for just over a decade and two years ago was made Director of Frieze Masters. Excitingly, just a few weeks ago she was appointed Director of Frieze Masters, Frieze New York and Frieze London. As well as being one of the most powerful women in the art world, Victoria is also my sister, so I was curious to find out how she’s feeling on the dawn of her new career.

  3. List

    The Turbine Hall at the Tate Modern has an incredible presence when it’s void of installations, which is what’s so wonderful about the huge enclosed space. As much as I admire the vast emptiness though, it’s even more exciting when a piece of work is placed in the hall and interrupts the vacuum. Opening today, American sculptor Richard Tuttle is the latest commissioned artist to show his work in the space and his 24ft sculpture certainly makes an impact.

  4. Main2

    I came across the work of Matthias Geisler over on Booooooom the other day and was reminded that we hadn’t posted something like this in a while. Matthias’ work is a swirling blend of spirits and creatures that are created with meticulous use of pencil crayons and water-colours. Is it me or are watercolours real in at the moment? All the cool kids seem to be using them.

  5. 8

    A kind of magic happens when Seth Armstrong puts brush to canvas. Having only been familiar with his work for the Mr Porter Journal, I became instantly bewitched by his paintings when clicking through his website.

  6. List

    Whatever the some naysayers may claim there is an art to collage and not everyone can do it, despite how good you think your teenage collages of cut-out red lips, Leonardo DiCaprio and puppies were. Anthony Zinonos is the perfect example of this, having featured on the site previously he’s updated his portfolio with some really cool bits and bobs.

  7. List

    There’s something very fun and raw about Jessica Hans’ vases and her approach to ceramics in general. Based in Philadelphia, she’s had a longstanding interest in foraging and raw materials since university; this has carried over into her ceramics work, which in the past has seen her driving to clay sites, digging her materials out of the ground and then firing them in their original state to see what would happen.

  8. Listt

    “To be an artist and for anyone to care vaguely about what you do is a great thing,” says street artist Moose in this fascinating new Nissan campaign, but his work is more important than most. As the inventor of reverse graffiti – whereby he uses a high-powered pressure washer to stencil imagery in the dirt that accumulates in our cities – Moose’s work asks questions about our attitudes to pollution in a very creative way.

  9. List

    To stare into a Danny Fox painting is like waking up in a world written by Charles Bukowski on a particularly heavy bender. There’s sex and drinking and guns, plus boxers and strippers and cowboys; here a horse, there a tiger. It’s intense and unnerving and exciting, but although there’s something very contemporary about Danny’s paintings, his rise to prominence owes a great deal to the support of a more well-established artist (an age-old route for up-and-coming artistic stars).

  10. Listjmp_cg_house_float_10

    Heads are turning in Covent Garden this morning, and they’re not just looking at the usual street performers – they’re gawping at a levitating building. Master of illusions Alex Chinneck’s latest mind-boggling public art installation is on show in what must surely be the spiritual home of his craft; one of the busiest piazzas in London and its theatrical hub. His floating building follows on from a sliding house, upside down house and many other puzzling optical illusions.

  11. List

    Back in 2013 designers Jessica Walsh and Timothy Goodman launched 40 Days of Dating, where they entered into a seven week relationship with each other to explore the world of romance from a creative perspective.

  12. Main

    Switzerland-based artist Pascale Keung makes delightfully diverse work which is inspired by her chosen country’s stunning natural landscape as often as it is by wild fantasies. This series Muttsee is an example of the former, a collection of images about “a very special place in the Alps of Switzerland” where she goes to fish with her friends from time to time.

  13. List

    Anna Burns is a set designer with a taste for the ambitious. Who could forget her work with Thomas Brown where they created B-Movie inspired installations out of flammable umbrellas? For her latest work Anna has collaborated with Michael Bodiam on a series inspired by nuclear catastrophe and our contradictory attitudes towards it – apocalyptic fear on the one hand and weird fascination on the other.