I fear I’ve referenced this before, but one of my Desert Island Discs would almost certainly be Baz Lurhmann’s strange spoken-word track Everybody’s Free To Wear Sunscreen. I like it for many reasons, not least the opening phrase “Ladies and gentlemen of the class of ’99” which to a Midlands teenager felt exotic and American and important for ways I couldn’t really define.
So excuse me if I go a bit Lurhmann on you and introduce the Creative Class of 2014, as profiled in this ace new video series created by our pals over at WeTransfer. The short interviews with Damon Albarn, Stefan Sagmeister, Marc Hare, Tom Dixon and Fred Deakin combine those characteristics so frustratingly rare; beautifully-shot films featuring people who genuinely have something interesting to say.
WeTransfer co-founder Nalden says: “This series of interviews with inspirational people is part of a new norm in creative culture. Many of today’s most influential creative people – musicians, designers or scientists are cleverly folding technology into the creative process. They’re finding new ways to create, and then share original ideas. And they’re coming up with some amazing things as a result.”
We encourage you to watch as many videos as you can, but also head over to the website to appreciate the way they’re embedded in its stylish design.
- Cats flying out of speakers and our technology addiction: highlights from Channel 4 Random Acts
- Kyle Bean's tactile simulacrums are brought to life with wit and precision
- Margot Bowman rethinks the selfie and the future of personalisation
- Warriors Studio and Freytag Anderson explore process and dialogue in new identity for GDFS 16
- Gorgeous Memphis-inspired, primary colour-packed work from Benjamin Rawson
- A cacophony of styles come together for this wacky promo animation for Gutter Fest
- The new Sagmeister & Walsh website has a live feed from a snake enclosure and a new naked photo (NSFW)
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Sexual, surreal and disturbing: the weird work of super-skilled Claudia Maté
- The best design courses in the UK, according to The Guardian University Guide 2017
- Ace new Laura Callaghan work calls BS on the idea that we can be "whatever we want to be"