• 1968

    1968 (Broken), 2011

  • Doug_aitken-riot

    Riot, 2011

  • Black-mirror1

    Black Mirror (Still), 2011. Courtesy of DESTE Foundation for Contemporary Art; Hellenic Festival; Burger Collection; 303 Gallery, New York; and Galerie Eva Presenhuber, Zurich.

  • Black-mirror2

    Black Mirror (Still), 2011. Courtesy of DESTE Foundation for Contemporary Art; Hellenic Festival; Burger Collection; 303 Gallery, New York; and Galerie Eva Presenhuber, Zurich.

  • Pr3

    Pipilotti Rist: Eyeball Massage Installation view at the Hayward Gallery. Lobe Of The Lung (2009) Photo Linda Nylind

  • Pr5

    Pipilotti Rist: Eyeball Massage Installation view at the Hayward Gallery. Photo Linda Nylind Selfless In The Bath of Lava (1994)

  • Pr8

    Pipilotti Rist: Eyeball Massage Installation view at the Hayward Gallery. Administrating Eternity (2011) Photo Linda Nylind

  • Pr11

    Pipilotti Rist: Eyeball Massage Installation view at the Hayward Gallery. Administrating Eternity (2011) Photo Linda Nylind

  • Ninamangalanayagum_homeland-series-2008

    Nina Mangalanayagam, ‘Homeland’ 2008, Copyright the artist

  • Davelewis_contactsheet45s

    Dave Lewis, Contact Sheet: 45’s Singles Collection, 2009, Courtesy of the artist

  • Ent1

    Navin Rawanchaikul, Mahakad, 2010, collection of Diasphol Chansiri

  • Ent2

    Navin Rawanchaikul, Mahakad, 2010, collection of Diasphol Chansiri

  • Anthony-key-book-of-numbers-rp-installation

    Book of Numbers, Anthony Key, 2011 – installation at Rivington Place, Photo by Thierry Bal.

Exhibition

What's On: London

Posted by Bryony Quinn,

This week in London there’s an exhibition from Doug Aitken, including Black Mirror – a brilliant multi-channel architectural installation – at Victoria Miro. Meanwhile, down at the Hayward on Southbank is Piplotti Rist’s projected wonders (appropriately titled Eyeball Massage) and finally, culture, confusion and chopsticks in Rivington Place’s group show, Entanglement.

Doug Aitken Victoria Miro

Doug Aitken’s Black Mirror is a beautifully cut, breathing-paced film installation displayed in a room built at regular angles. Every wall is encased by black mirrors with screens set into alternate walls so that the image is multiplied, reflected in a synchronised dance as the protagonist (Chloe Sevingny) navigates a borderless world and an accelerated modern life. It is very, very engaging, especially the sound which is used like an exoskeleton to the film. The exhibition continues elsewhere with light boxes and wall sculptures spelling out iconic words and dates, continuing Aitken’s exploration into pop culture and its graphic impact. On show until November 12.
www.itsnicethat.com/whats-on/doug-aitken

Entanglement: the Ambivalence of Identity Rivington Place

In the latest show at Rivington Place, the potentially heavy topic of cultural identity is treated with irony and humour, and, according to the artists in Entanglement, it is a point for frank hilarity. Like Simon Fujiwara’s spoof “artist book club” in which cross cultural confusion is more the focus than Huckleberry Fin. Or Anthony Key, whose installations include one strikingly immediate piece of over 8,000 chopsticks with the names of every Chinese takeaway in the UK written on them. And Nina Mangalanayagam’s Homeland series of photos with her father (who holds the shutter trigger) are unintentionally failed attempts at natural portraits in their Swedish home. Fascinating stories go with every exhibit and it runs until until November 19.
www.itsnicethat.com/whats-on/entanglement…

Piplotti Rist: Eyeball Massage Hayward Gallery

The subversive stylings of Piplotti Rist are a happy sort of mind anarchy and their individual projected environments are nothing short of dazzling. Employing wild colours and primitive cutting in her installations, the surreal nature of the videos is immediately appealing. Her themes are familiar – feminism, sexuality, the human body – but her extraordinarily fresh imagery and specific use of an architectural space in which to project is pretty unique – large, suspended conical spaces that you stick your head into, draped enclosures, knicker chandelier (that’s right) and a tiny two pence projection. Her trailer, Eyeball Massage, is also well worth a watch. On show until January 8, 2012.
www.itsnicethat.com/whats-on/piplotti-rist

Portrait9

Posted by Bryony Quinn

Bryony was It’s Nice That’s first ever intern and worked her way up to assistant online editor before moving on to pursue other interests in the summer of 2012.

Most Recent: Exhibition View Archive

  1. Eslistst-columba's-wells_-londonderry-(derry)-_-n-ireland_-1965-(c)-edwin-smith_-riba-library-photographs-collection

    Edwin Smith’s England is a faraway place, and yet a familiar one. It’s a land inhabited by long-skirted ladies with perms, where brass cash registers are used on high streets fronted by butchers and bakers and grocers. No surprise then that the people’s poet Sir John Betjeman dubbed Smith a “genius at photography” because he has, in his vast collection of photographs of city and countryside, inside and outside, captured the essence of the now-distant England portrayed in the writer’s verse.

  2. List

    Imagine for a moment that the shoebox under your bed was filled not with photos of your Great Aunt June snoozing on the sofa last Christmas, but with photographs taken in space by astronauts on Apollo 14. For a lucky few at NASA this is (almost) true, and fortunately they’re more than happy to share their treasures with us proles in the form of a new exhibition at London’s BREESE Little Gallery.

  3. List

    20 years ago in 1994, little known designer Eike König set up his “graphic design playground” Hort, creating a community in the centre of Berlin where creatives could collaborate on ideas and client briefs side by side. Nowadays, the playground is slightly bigger, undertaking work for Nike, The New York Times and Walt Disney among others, but the underlying emphasis on collaboration and experimentation remains exactly the same.

  4. Olafurlist

    “Riverbed is running.” So tweeted Studio Olafur Eliasson yesterday – a poetic press release if ever I heard one – to announce the opening of the Danish-Icelandic artist’s latest epic installation. Something of a titan in the art world, having already created moon, he’s now built riverbed in the south wing of the Louisiana Musuem of Modern Art in Denmark.

  5. List

    If, while walking down the street, flicking through a magazine or sitting on a bus recently you’ve found yourself looking at a movie poster, you’re probably in some way come into contact with the influence of Hans Hillmann. When the German graphic artist began producing film posters in 1953 at the height of the Modernist era, few realised he’d have such a profound effect on the industry, but his bold, Minimalist-inspired creations set a new standard for .

  6. List

    I’ll be honest and say that usually when I see the words “exquisite corps” in relation to a creative project, I immediately lose interest. So often this collaborative idea – used by the surrealists as a liberating drawing exercise – is used without imagination or flair. But a current exhibition at Walls Gallery in Amsterdam looks like a fantastic exception to my rule.

  7. List

    Dutch illustrator Stefan Glerum is one of the most accomplished image-makers working today. His latest show at London’s Kemistry Gallery is a whirlwind of references; from Art Deco to Bauhaus, Italian Futurism to Russian Constructivism; criss-crossing time and space with enviable style. Called simply Five Years of Work By Stefan Glerum, the exhibition features work with which even casual observers may be familiar, but that doesn’t in any way lessen its impact. In fact it’s exhilarating to go back to, say, the Bayern State Opera posters he made with Mirko Borsche and consider them anew in the wider context of his portfolio. Quite simply see this show if at all possible.

  8. List

    It’s not a flawless guide, but you can often tell how significant the subject of an exhibition is based on who writes the foreword in the show’s catalogue. That Milton Glaser contributed an essay for Ivan Chermayeff: Cut and Paste at The De La Warr Pavilion is a good guide that if you’re interested in graphic design, he’s a name with which you should be familiar.

  9. Main10

    It’s so great to see the Nous Vous lads continuing with their quest to bring a gentle spark of inspiration to the general public. Their latest venture is an exhibition in the enormous old factory-turned-cultural centre, The Tetley in Leeds. A Watery Line will exhibit “drawings, prints, paintings and objects, producing new artwork in on-site open studios and working with a selection of other artists to deliver a programme of performances and workshops.” Ahead of the opening of this exciting, friendly show, we asked Nicolas Burrows to tell us a little more about the planning of the exhibition and what they hope the public gets out of it.

  10. List

    Bold printing, toying with scale, subverting nature and confounding the senses seem to be the defining elements of Richard Woods’ work. The artist and designer made a name for himself mimicking wooden patterns in bright colours on the surface of furniture, but his skills extend beyond simple tables and chairs. In his latest show at Albion Barn he’s been given free reign to customise every inch of his exhibition space; the walls, floors and furnishings of an area in which he’s exhibiting a selection of original prints. It’s a pretty bold move to allow an artist to reinvent the entire gallery, but Richard has undertaken the task with characteristic flair, turning the whole environment into a vibrant, cartoonish set in which his work seems entirely at home.

  11. List

    I know what you’re thinking, you’re thinking; “How on earth did that priest train a dolphin to carry him like that?” Or maybe you’re thinking; “Where did the photographer have to stand to capture that image?” Or perhaps, in fact, you’re thinking; “This HAS to be fake.” But all of these lines of inquiry are valid in the world of Joan Fontcuberta, the Spanish artist and photographer who’s latest exhibition has just landed at The Science Museum’s Media Space.

  12. Ws

    It’s not a revelation that festivals of today are not what they used to be. Flower garlands have been replaced with plastic ones that you can buy at Topshop, barely adolescent bands mime where once musicians gave career-changing performances and free loving, all-night dancing sun drenched affairs have morphed into a race to see who can snog a semi-famous TV presenter first. We’re not bitter about it though, especially not when we’ve got photographs like this to remind us of the golden age.

  13. Opinion-list

    This week assistant editor Maisie Skidmore asks what makes a good group show. Are they really all they’re cracked up to be, or are they poised for failure? Tell us what you think of them and which you’ve been to that were especially brilliant or terrible in the comments section below.