We’ve only just discovered the beautiful watercolours of Yan Nascimbene. The late French/Italian artist and writer produced over 60 illustrated books and over 300 book covers. His details are exquisite and his smooth, rich washes are gorgeous. But it is the space in Nascimbene’s work that really makes the viewer draw breath.
Huge skies, clear seas and snowy mountains make up Nascimbene’s terrain. There may be a tiny figure housed somewhere in the expanse; a baron swinging through the lush leaves, a horseman riding under enormous trees or a bright figure traipsing across a desert. He appears able to convey every conceivable kind of natural light. The influence of Japanese woodcuts is clear, but so too is classic children’s book illustrations. Fittingly for an illustrator of so many stories, each drawing of Nascimbene’s seems to hold its own narrative within.
- The sun is out, and Best of the Web is here to offer some shade
- Jonathan Castro’s vibrant designs are a realisation of his research and exploration
- Friday Mixtape: top picks from ten years of Field Day
- A retrospective look at Latif Al Ani’s photographs of Iraq’s “golden age”
- Olimpia Zagnoli illustrates How to Eat Spaghetti Like a Lady
- Cost-effective, beautiful shit: an interview with the Deadbeat Club
- YouTube releases its first own-brand font, YouTube Sans, inspired by the play button
- Inside Susan Kare’s sketchbooks are the makings of Mac’s graphic interfaces
- The return of the hovering art director: we asked comic artist Nadine Redlich to peer inside agency life
- Photographer Raymond Rojas captures the “magic” in Disneyland Paris
- Stefan Sagmeister speaks to It's Nice That about The Beauty Project
- Seattle-based illustrator Kelly Bjork depicts languid ladies and neat interiors