Here’s a portfolio of consistently strong graphic design, with thoughtfully measured information that doesn’t clutter or clump the poster layout or billboard or app or however its designer applies it. It’s is nice then that Yerina Cha, the individual responsible, studied fine art before design – it suggests that her experience with conceptual content means that there is that much more emphasis on the aesthetic experience of data, or typographic message.
Take, for example, the Another Singularity design for Anthony Gormley’s exhibition at the Hammer Museum; working across all of the shows collateral from billboards to books, Yerina’s design takes into consideration the nature of Gormley’s work, which “explores the relation of the human body to space at large”, and has converted it into her own graphic, manipulatable vernacular that could be used dynamically across the board – including an exhibition app so that the public might interact with it too.
The appeal of the design is in its carefully reduced aesthetic that belies some series layout skills and an equally deft handling of interesting cultural content on one hand and something like DIY product branding on the other.
- Design's many, many layers, and the power of music, at Nicer Tuesdays July
- It’s just life: The democratic eye of William Eggleston
- Tim Lahan is the new Mystic Meg with horoscope illustrations for Elle Magazine
- Musical instruments with a modernist aesthetic by Hundo
- Former Buzzcocks drummer John Maher exhibits his photography work in Nobody's Home
- Monument Valley creator ustwo gives us a peek at its bookshelf
- Benedict Redgrove’s beautifully hypnotic film about how a tennis ball is created
- Tommy Cash subverts the tropes of rap videos with a fleshy celebration of the human body (NSFW)
- Ian Davis’ picturesque paintings of bureaucratic dystopia
- Is it ever OK to work for free?
- Pentagram unveils refresh of Mastercard’s brand mark and identity
- Peter Saville and Tate Design Studio create beer can artwork for Switch House pale ale