Here’s a portfolio of consistently strong graphic design, with thoughtfully measured information that doesn’t clutter or clump the poster layout or billboard or app or however its designer applies it. It’s is nice then that Yerina Cha, the individual responsible, studied fine art before design – it suggests that her experience with conceptual content means that there is that much more emphasis on the aesthetic experience of data, or typographic message.
Take, for example, the Another Singularity design for Anthony Gormley’s exhibition at the Hammer Museum; working across all of the shows collateral from billboards to books, Yerina’s design takes into consideration the nature of Gormley’s work, which “explores the relation of the human body to space at large”, and has converted it into her own graphic, manipulatable vernacular that could be used dynamically across the board – including an exhibition app so that the public might interact with it too.
The appeal of the design is in its carefully reduced aesthetic that belies some series layout skills and an equally deft handling of interesting cultural content on one hand and something like DIY product branding on the other.
- ManvsMachine on its hugely diverse campaign for Air Max Day
- A treasure trove of goodies, it’s Best of the Web!
- Donald Sanger illustrates a grotesque and humorous version of humanity
- Photographer Joshua Osborne takes a closer look at Havana’s male subcultures
- Friday Mixtape: Ghostpoet’s “drum worship mix” for all your percussive needs
- Yann Kebbi’s chaotic pencil drawings depict various forms of catastrophe
- BBC’s new typeface BBC Reith is designed to improve legibility on screen
- Life through the lens of enchanting photographer Vicki King
- The New York Times Magazine’s new cover is actually a painting
- Illustrator Ram Han’s Alice in Wonderland dreamscape
- Ikea uses ASMR technology in 25-minute, tingle inducing advert
- Designs of the Year 2017 shortlist includes Wolfgang Tillmans’ Remain campaign, the Refugee flag and Me & EU