When The New Statesman set about writing the article A to Z of Iran, it’s not at first glance something you’d think goes hand-in-hand with beautiful typography. But that is exactly where the talented illustrator and typography extraordinaire, Yuko Michishita came in, and didn’t she do it well.
With each letter of the alphabet beautifully designed in a historical Persian style, the visuals are a triumph of subtle artistic flair. Yuko’s other work is beautiful too. Ranging from intricately decorative plates and cups made for the stylish boutique Liberty, to experimental photography and no-end of illustrative typography, her natural talent and eye for composition stands out throughout her work.
- “Run towards the noise” – MINI contemplates the future of mobility and personalisation in London
- Photographer Benedetta Ristori documents cultural juxtapositions on the Baltic peninsula
- June Korea’s photographic fantasy: one man’s relationship with his sex doll
- Smart, funny and expertly executed party posters from German designer Mark Bohle
- Vice, despair and a bafflingly fertile imagination from Brooklyn-based Milton Melvin Croissant III
- A focus on typography in Ghent-based designer Corbin Mahieu's updated portfolio
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- World’s “ugliest” Pantone colour 448C is being used to deter smokers
- North evolves Tate identity to be more adaptable
- Babak Ganjei paints 90s sitcom sitting rooms. But which one's which?
- More bonkers and surreal selfies from Izumi Miyazaki
- Reactions to the referendum and our weekly Best of the Web