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An animation in which a black logo reading “apf” appears on a bright orange background. The scene shifts to a black screen with a complex orange grid of lines, before returning to the logo on orange.

Yuma Naito talks us through his inventive fictional rebrand for Afropunk Festival

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Date
31 July 2017

We were introduced to the work of Los Angeles-based graphic designer Yuma Naito through his incredibly in-depth university project fictionally rebranding Afropunk festival. Yuma’s introduction to graphic design wasn’t exactly the usual route, but as a result his projects pull inspiration from numerous references in a very exciting way.

Originally from Tokyo, the designer developed an interest in creativity through “playing with Microsoft paint as a child,” he tells It’s Nice That. “Back in Japan, I started making flyers and team T-shirts when I was in a breakdance team in high school.” Yet, Yuma decided to study a BA in Business at university, but moved to America to “seek new adventures and experiences in the graphic design field”. This eclectic background means that Yuma uses visual communication “to create emotional connections between design and people,” he says. “I believe that discoveries through research and a thoughtful approach to the design process will create a strong narrative.”

Yuma’s interest in “learning different histories and cultures through the lens of visual communication,” means his execution of an Afropunk rebrand communicates the powerful disposition of the festival. Created as a project while studying at the ArtCenter College of Design, his goal was “to communicate the idea of the festival as a celebration of music and human rights movement”.

To piece the rebrand together Yuma created a custom typeface, APF Display, which represents the festival’s unique sensibility forming its own visual language “in a very playful way”. Alongside this, the designer has created a second poster series for its 15th anniversary event, Afrotopia. “The series of posters demonstrates how logotype would be used as a pattern, along with collages that represent DIY aspects of both Afropunk culture and Afrofuturism,” he explains.

The result is bold and brave, with long elongated type that slots together satisfyingly and by “introducing onomatopoeia, the posters tell stories about what people would feel and experience at the event in a typographic way”.

An animation of bold black text scrolling diagonally across a bright orange background. The repeating words include “Afropunk” and “At Large”.
Above

Yuma Naito: Afropunk

Three bold typographic posters in black, red and yellow. The first reads “I can’t believe that I am still protesting this s**t in 2018.”, the second reads “You don’t have to be anti man to be pro woman.” and the third reads “Rock’n roll was invented by a queer black woman named Sister Rosetta Tharpe.”.
Above

Yuma Naito: Afropunk

A collection of stationery featuring bold, oversized typography in yellow, red and white. The designs include a letter and envelopes with words such as “PEACE”, “UNITY”, “LOVE” and “HELLO”.
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Yuma Naito: Afropunk

An animation of a website for Afropunk, featuring a cream background and bold, black typography. A cursor scrolls through the page, moving from a large header that reads “THE MOVEMENT” down to a detailed “OUR STORY” section.
Above

Yuma Naito: Afropunk

An animation in which a yellow rectangle on a black background shifts and expands. Bold, dark green text appears and changes to read “PEACE. UNITY. LOVE.”
Above

Yuma Naito: Afropunk

Two typographic posters side by side against a black background. The first is cream with black text reading “Yes to music”, “Yes to art” and other positive affirmations, ending with “Yes to Afropunk”. The second is yellow with black text listing “No” to various forms of prejudice, including “No sexism” and “No racism”, with the word “afrotopia” written vertically.
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Yuma Naito: Afropunk

A yellow double-page spread features a person with arms outstretched on the left. Bold, repeating text reads “afrotopia” in a descending size, alongside a block of text announcing the Afropunk festival in Los Angeles.
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Yuma Naito: Afrotopia

The cover of a book titled “Afropunks!”. The bold, black typography is mirrored and interlocking, framing a partial portrait of a person wearing a large gold hoop earring.
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Yuma Naito: Afropunk

Two people smile and laugh together in a crowded outdoor setting. One wears red-tinted glasses and a chunky silver chain, while the other wears yellow-tinted glasses and several rings.
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Yuma Naito: Afropunk

An open book shows two photographs of people. On the left, a person in profile wears large square gold earrings and has their hair styled in small knots. On the right, a smaller image shows a person wearing glasses and a textured headwrap.
Above

Yuma Naito: Afropunk

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About the Author

Lucy Bourton

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Lucy (she/her) was part of the It’s Nice That team from 2016–2025, first joining as a staff writer after graduating from Chelsea College of Art with a degree in Graphic Design Communication, eventually becoming a senior editor on our editorial team, and most recently at Insights, a research-driven department with It’s Nice That.

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