Photography Archive

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    Emily Kai Bock is the filmmaker responsible for music videos for the likes of Arcade Fire, Grimes and Grizzly Bear, which explains why her eye is so well-trained at spotting the moments she captures in her photography, too. Shooting strangers in the street and yet capturing strangely warm and intimate portraits she seems to form immediate bonds with the people she spots on her travels, from a girl waiting in line to pay for her groceries to a glamorous but frustrated woman crossing the road. There’s something transfixing about the vulnerable but unwavering eye contact her subjects fix on her, almost as though they are the only two people in the scene to recognise her existence. It’s a rare talent, but it seems to come very naturally to Emily, and we can’t help but feel grateful for it.

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    “Paradise is on the edge of an industrial estate just north of the M25. It’s also behind a Jobcentre in Manchester. By the bins.” What a difference a poetic opening line of a project caption can make! Oli Kellett sent this project in after the success of his 2011 project where he found street signs around the world that look like British words spelt wrong. Paradise is similarly genius: with the help of Martin McAllister Oli travelled the UK since 2010 photographing any road, street, lane or close that contained the word “paradise” in its title.

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    If the pseudonym Synchrodogs calls to mind a troupe of people dressed in a trippy barrage of Cyberdog-influenced body suits sprawled across luscious green meadows, in front of waterfalls and crouching on cracked deserts, then you’re on the right track. Tania Shcheglova and Roman Noven have been working under the moniker since 2010, and their unique brand of out-of-this-world fashion photography set in apocalyptic environments has earned them a reputation for making fascinating, if bizarre, imagery.

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    Entering Alma Haser’s portfolio is very much like going down the proverbial rabbit hole. The young London-based photographer was recently named in the D&AD New Photographers Ones To watch, the latest accolade in a career that’s going from strength to strength.

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    London-based brand Heresy presented its new collection this week in the guise of its Autumn Winter 2014 lookbook. Entitled Forming, the collection is a quiet amalgamation of illustration and traditional workwear, combining illustrated elements and hand-drawn type with carefully crafted structural staples made from loop-back jersey and felted wool.

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    A lot of us will have been there; you’re trying to mow the lawn and you can’t get the ruddy dog to leave you alone. It’s annoying sure, but if I had dedicated my life to God then I might see it as an (al)mightily unfair frustration.

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    Helsinki’s finest, photographer Osma Harvilahti, shot this campaign for Finnish designers Marimekko in one afternoon. From the photographs it looks like it must’ve been a deliciously dreamy few hours, all cosy cups of tea and crisp breezes ruffling the blinds, but knowing the intense level of aesthetic precision in Osma’s work, behind-the-scenes might’ve smelled less of flowers and more of frazzled nerves. The result, however, is serenity itself.

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    The term athlete is actually a vague catch-all word that encompasses a great variety of body types, depending on the specialist’s chosen discipline. This new project from photographer Paul Calver and art director Gem Fletcher celebrates what the pair call “the perfectly imperfect form of an athlete’s body” by focusing on a boxer, a martial artist, a runner, a bodybuilder and a sumo wrestler.

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    For me, stumbling across Roger Minick’s archive of photographs of sightseers at tourist destinations is akin to opening an old box in the attic and finding a heap of jewels stashed in it. The Sightseers Series began in 1976, when while teaching photography workshops in Yosemite National Park, Roger was distracted by the hordes of visitors posing for photographs in front of the views.

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    Photographer Victoria Ling has the kind of portfolio anyone would be envious of, brimming with exquisitely polished photographic work; still life compositions created for high-profile clients and personal projects alike. Her work achieves the kind of ethereal polish that makes you wonder how much of it could possibly real, but the majority of her imagery is all captured in camera, as she explains below…

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    Voters in Scotland are today deciding whether to swap 300 years of union with England, Wales and Northern Ireland for the nationalist dream of an independent country. The referendum is being held exactly 700 years after the Battle of Bannockburn, where Robert The Bruce defeated the English army of Edward II and every year a re-enactment is held to bring this major historical landmark back to life.

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    The dazzling lights of David LaChapelle’s hyper-realistic photographs, glinting from neon and metallic and shimmering objects, send a hazy glow into the dark background; a magical aura that conjures up memories of fairground rides and bonfire nights and hot breath misting up the air in front of you. The photographer’s images are no less magical really; they draw you in, bedazzled and bewildered, like a ditzy moth drawn to a lamp, and then surprise you by being even more brilliant than you realised at first.

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    Imagine for a moment that the shoebox under your bed was filled not with photos of your Great Aunt June snoozing on the sofa last Christmas, but with photographs taken in space by astronauts on Apollo 14. For a lucky few at NASA this is (almost) true, and fortunately they’re more than happy to share their treasures with us proles in the form of a new exhibition at London’s BREESE Little Gallery.

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    I think we can all agree that in the past few years food photography has pretty much reigned the internet as far as image-porn blogging is concerned. And yes, photographing tangerines on bright blue backgrounds does always look nice, we get it. But among the thousands of people documenting food in order to gain online notoriety there are some photographers who are known in the industry as the ones who can really, really shoot food.

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    The debate over so-called “ruin porn” has raged for several years now, exploring the cultural and ethical ramifications of turning the decrepit and dilapidated into art. But if anyone could breathe new life into this kind of project, it’s Nadav Kander. The photographer’s new show Dust opens in London today, and takes as its epigraph the T.S Eliot line: “I will show you fear in a handful of dust.”

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    The best portrait photography is truly mesmerising; a compliment which can surely be paid to Alex Ten Napel’s series of Alzheimer’s patients. In a somewhat ironic manner, the Dutch photographer has created enrapturing, memorable images of elderly and enigmatic faces. They’re both heartbreaking and joyful, delightful and despairing, as Alex has caught “that specific moment portrait photographers wait for: the moment in which posture and facial expression come together in a meaningful manner.”

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    There’s not an amateur photographer alive who hasn’t got a roll of film back from the developing booth of their local supermarket to find that almost every picture is clouded over by a giant fleshy finger. Usually it obstructs most if not all of the image and sends the photograph itself catapulting straight into the nearest bin in a fit of frustration.

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    A year on since we first covered George Osodi’s work on the site he continues to astound us. The Lagos-based photographer produces some of the most incredible photojournalism I’ve ever seen; this series Nigeria Monarchs: The Custodians of Peace and Cultural Heritage documents the figures across Nigeria who, in spite of having no constitutional rule since the monarchy was officially abolished in 1963, remain key personalities in the country’s political landscape. The travelling exhibition had a stint in London last year and is about to open in Budapest, Hungary, serving as further proof (if any was needed) of the curiosity which exists worldwide about these majestic and exotic figures. What’s more George hopes to photograph 100 of the monarchs, so the collection is not due to stop growing any time soon.

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    September is always a time for nostalgia; it’s that back-to-school, turning-of-the-seasons vibe that goes hand-in-hand with a certain sense of self-reflection. Few moments stick in our minds and come to define our personal stories more than our first kiss; that giddy mixture of nerves, anticipation and a feeling of the moment’s huge significance that rarely tallies with the physical reality! For its latest brief, MOPHOTO are working with Cornetto and asking young photographers to create an image of a first kiss that captures that dizzying array of emotions in a single visual.

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    I’m loth to comment on summer’s swift disappearance or the vague possibility that it might get warm again in the coming weeks, but how can I miss the opportunity which this series by Anaïs Boileau has so generously handed me? This brilliant photo-series examines the women who live for a tan, happily sunning themselves with foil trays pressed to their chins and eye-protectors plastered to their sockets. There’s something gently teasing and kind of funny but also really well-constructed about her images – the props make for a natural frame so you’re confronted with a very immediate manifestation of our society’s obsession with bronzed skin, which seems more ridiculous the longer you think about it.

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    Family life can be strange, unsettling and oppressive as well as happy, funny and ridiculous, and it’s this sometimes-sinister underside of the domestic sphere photographer Joanna Piotrowska seeks to elevate with her series FROWST. Her black and white images capture ambivalence and double meaning in the family home; brothers and sisters lie awkwardly across one another and pull at each other’s bodies in strangely stagnant compositions, while oddly familiar environments are imbued with a quiet strangeness that’s not entirely new.

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    Riley wanted to be like Tom Sawyer and Huckleberry Finn when he grew up; he wanted to hunt for treasure and go on adventures. Riley’s never forgotten the magical lure of finding hidden pennies and bottle tops, silver and scraps, and when scavenging he finds himself transformed into a mythical adventurer like a character in a tale by Mark Twain.

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    Where do dreams come true? “Disneyland!” squeal the indoctrinated masses. Sadly, the dream’s over for the exhibits of Yesterland, which is a photo archive of rides, restaurants and rodeos which are no more. Or, as Yesterland likes to style itself, “a theme park on the web.”

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    There’s something wonderfully honest about Kieran Kesner’s portraits of Ukraine. His camera acknowledges there’s a civil war tearing the country apart – there are protests and soldiers and guns and casualties – but this isn’t the sum total of what is happening there. There are still priests saying prayers and farmers plucking potatoes from the fields and cyclists on their bikes; what we see on the news is only part of the story Kieran suggests.

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    South African photographer Dillon Marsh has long been drawn to themes that touch on environmentalism and our relationship with the world around us, and in recent years these interests have become more pronounced.

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    Let’s get this straight, Anna Victoria Best’s work is maybe some of the most exciting photography I’ve ever seen. That may sound like a total exaggeration but it’s true – it is not often that someone’s work is so consistently brilliant throughout an entire portfolio, or that a few simple portraits can hold such a huge amount of power. If I wasn’t taken with the photos of Ashley Williams (which I was, a lot) then the fashion editorial shoot for Varon was like the photographic equivalent of pudding. You can almost hear those shoes squeaking on the lino as they do the Twist.

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    Love it or loathe it, mobile phone photography is entrenched in our modern media culture. But it’s facile to lump this ever-growing phenomenon under a single umbrella, encompassing as it does everything from hipsters’ obsession with Instagramming their burgers to the vital role of smartphone-wielding citizen journalists in conflicts around the world. In recognition of the increasing importance of mobile phone photography and the numerous narratives intertwined with it, the British Journal of Photography has launched fltr, which bills itself as “the only magazine dedicated to mobile photographers.”

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    In the last couple of weeks the professional football season has returned in all its overhyped glory, but for thousands of amateurs around the UK it’s the start of the Sunday League season that really matters.

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    Photographer Viviane Sassen has crafted an aesthetic which operates way beyond the traditional confines of her medium. She’s previously made work which would be considered fashion photography, for example, but in which the clothes featured never seem to be the driving force behind the image. Similarly, her latest series Axiom toys with notions of light, colour and illusion in a way which seems to lean towards graphic art, but each image meshes the three elements together so effortlessly that you scarcely have time to ponder the idea behind it.

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    In an untidy apartment in Milan, a lion roars. Nearby, an armadillo sniffs a pile of papers. An ibex is fed up; he can’t see very well for all the bubble wrap around his head. But these aren’t escapees from the zoo; they’re a failed diorama.

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    Hey there’s a big floppy pepperoni on that Palomino! Most days I’d find the idea of wasted pizza an atrocity not worthy of further promotion, but I guess this photo series is kind of different. In a somewhat strange diversion from his otherwise rather professional work, this photographer has chosen to take countless pizzas into the great outdoors and capture them against the backdrop of the natural world. Jonpaul Douglass, whose name is a little like someone drunkenly writing John Paul Douglas, has snapped the humble pizza on sun loungers, in bushes, draped over basketball hoops, and even clinging for dear life over the barrel of a military tank. Why is this good? It just is; the quality of the photos is terrific, and ten extra points to Jonpaul who braved looking mega-weird in public to get these shots.

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    Canadian-born photographer Stephanie Noritz lives and works in New York where she freelances for the likes of Monocle, Bloomberg Businessweek, Dazed and Confused and New York Magazine amongst others. Her imagery is defined by sharp lighting, relaxed atmosphere and – most importantly – a youthful subject matter – whether that’s kids skating vert ramps or fast-paced little league games.

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    “AMERICA: Who Stole The Dream?” reads a poster in the newsroom of The Philadelphia Inquirer. Amid towering piles of papers and notepads, styrofoam coffee cups and creaking, half-broken office chairs, this is the question asked by photographer and writer Will Steacy.

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    Here at It’s Nice That we spend an awful lot of time talking about, thinking about and writing about creatives but ultimately we don’t get too many chances to really see what goes on in their day-to-day working lives…until now. Our new collaboration with super-cool eyewear brand Ace & Tate – who believe in great design and ultimate customer choice – is taking us inside the studios, and inside the minds, of a host of some of our favourite creatives.

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    Palm Springs-based photographer Brian Pescador is leading a double life. By day he makes his living chopping locks and trimming beards as a travelling barber, and by night (also quite often during the day, but presumably when he’s not cutting hair) he’s an incredibly talented photographer. Naturally as a resident of the Coachella Valley, he’s got a wealth of stunning scenery to go out and shoot whenever he sees fit, but the best of his photography marries the people and places of his homeland into an idyllic portrait of youthful hedonism.

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    The curious work of Corinne Day seems to rear its ever-appealing head every now and again, just to remind us of a time gone by that we weren’t part of, and will never fully understand. Gaining worldwide notoriety with her famous, career-making shots of a teen Kate Moss on Camber Sands for The Face, Corinne’s groundbreaking photographs of quintessentially British, black-soled urchins were to become stuff of legend. Contrived shoots of hired models were never her thing, instead Corinne lifted her lens to those closest to her – the ones doing the washing up, smoking fags out of windows, watching telly. The fact that all her friends were rebellious models was just a bonus.

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    There are several times in your life when you look quite ridiculous and have no choice but to embrace it; at the dentist, with a mouthful of rubber glove and some green gunge, for example, or when you’re playing Twister and you have to stretch from one end of the mat to the other with a single left foot. When you come out the end of a water slide is a pretty solid one too, as Krista Long points out; you’re too busy trying to retrieve your bikini bottoms from where they’ve disappeared to without swallowing vast amounts of pool water to even think twice about what you’re doing with your face. (Hint, you look hilarious.)

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    There’s a reason behind the popular notion that black and white photography makes people appear better looking – it’s true. Not saying for a minute mind you that the girls that Jeff Boudreau has photographed of late aren’t some of the most beautiful, dewy creatures walking the earth, but there is a certain charm about their monochromatic portraits that you perhaps wouldn’t get with colour film. Jeff is from Florida but now lives and works in London, filling his days with editorial fashion shoots and advertising briefs. This latest personal series compares his subjects to wild flowers in the dark – beautiful.

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    I always find it quite beguiling to look at contemporary artwork which looks like it belongs to another time, and Emma Hartvig’s oddly captivating images are a prime example of this kind of displacement. Born in Sweden but based in London, Emma photographs nudes, somehow succeeding in imbuing the human form with all of the surreal static energy of a Vermeer painting. Her photographs are shot through with shimmering satin and velvet which serves to frame her subjects as though they were pieces of half-decayed fruit carefully laid out ready to paint. What’s more, she does all of this through photography, pushing her camera to function as though it were a set of oils. The result is impressive and quietly beautiful.

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    We’re all pretty used to Tumblrs chock-full of palpable images of half-naked, creamy fleshed men and women surrounded by bowls of figs, cherry blossom and thrift store rugs. Maybe one of them is casually smoking a cigarette out of a car window on a lakeside road trip, perhaps one is clutching a can of beer, wrapped in a towel after skinny-dipping, laughing into the night.