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Yves Klein: the man famous for trademarking his own shade of blue

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Date
21 October 2016
A solid block of deep blue colour fills the frame.
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Yves Klein: Untitled blue monochrome

Tate Liverpool has opened the UK’s first solo museum show in 20 years dedicated to French artist Yves Klein. One of the most influential figures in post-war art, Klein is best known for registering a trademark on a particular shade of ultramarine blue, self-penned as International Klein Blue.

The exhibition presents around 30 major works including sculpture, performance, music, film, architecture and just some of the 200 paintings Klein created using his own blue pigment, as well as other paintings from his Anthropometry and Fire Paintings series. It shows just how prolific the artist was in his short life, dying aged 34.

“Klein breathed life into art following the second world war and laid the foundations for many subsequent movements including pop and performance art,” says the exhibition’s curator Darren Pih. “During his short but intense career, he produced over 200 International Klein Blue paintings which expressed absolute freedom and infinite space, free from representation and materiality. They are portals into the unknown.”

Yves Klein is on at Tate Liverpool until 5 March 2017.

A rectangular sculpture in a vibrant pink hue with a rough, porous texture. Several raised, organic mounds of varying sizes are scattered across the surface.
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Yves Klein: Untitled Pink Sponge (1960)

A person in dark clothing leaps horizontally from the roof of a stone building. Below them, a person on a bicycle rides down a quiet street.
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Yves Klein: Leap into the Void (1960)

An abstract painting of a bold, sweeping stroke of deep blue paint on a cream background. The paint is thick and textured, tapering into loose, swirling marks at the bottom.
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Yves Klein: Untitled Anthropometry (1960)

A black and white photo of two people in a workshop. One person crouches while holding a long metal tube, looking up in surprise at another person who is using a blowtorch.
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Yves Klein: creating one of his Fire paintings (1961)

A sculpture of a textured, bright pink organic form balanced atop a pale, jagged rock. The pink shape is porous and rounded, connected to the base by a thin red stem.
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Yves Klein: Untitled pink sponge sculpture (1959)

A person in a white shirt and dark waistcoat looks towards a bright, vertical beam of light. They hold their hand open beneath the glow against a dark, textured background.
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Yves Klein: The Dream of Fire

An abstract painting in shades of ochre and deep brown. A dark, blurred mass occupies the lower half, while a soft, circular ring floats in the upper right.
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Yves Klein: Untitled Fire painting

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Jenny Brewer

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Jenny oversees editorial output across It’s Nice That. Get in touch with writing pitches for features or opinion pieces, big creative story tips, or questions about all things editorial. jb@itsnicethat.com

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