If you find yourself passing London’s Blackfriars Bridge anytime soon, take a second glance at the house at number 20; artist Alex Chinneck has turned an 18th Century livery upside down. Quite literally. Following on from his incredible From the Knees of my Nose to the Belly of my Toes earlier this year, the artist has created Miners on the Moon as the finale to Merge Festival 2013. Using signage recovered from a reclamation yard he has transformed the building, which was erected in 1780 and originally used as a livery stables housing horses and carriages. Cool, huh?
He explains: “The material and aesthetic decisions within the project celebrate the architectural heritage of Southwark and the timeless charm of its fatigued buildings. by presenting a very familiar architectural scenery and narrative in an inverted way, the audience hopefully re-appreciates the buildings and moments of our daily environments that we allow to slip into our subconscious.”
The result is simultaneously subtle and visually arresting, creating ostensibly the perfect public installation. Alex will also be speaking at our December edition of Nicer Tuesdays, which will focus on our creative highlights of 2013.
- “Non-league football is our punk rock” – Alex Brown’s work for Eastbourne Town FC
- Artist Esther Watson reimagines the flying saucers her dad created as a child
- Clara von Zweigbergk talks us through her art direction for Danish brand Hay
- John Molesworth illustrates the hustle and bustle of Record Store Day 2017
- “The artistic process becomes a form of yoga”: artist Christopher Davison
- More vibrant, goblin-like characters from illustrator Alex Jenkins
- Animator and director James Curran’s amusing 30-day Gifathon project in Tokyo
- Photographer Sophie Mayanne’s new personal project celebrates imperfection (NSFW)
- Jon Burgerman on his utterly brilliant Instagram experiments
- "Before I was a graphic designer I had nearly no idea what one was": meet Austin Redman
- Animator Saiman Chow’s trippy idents for Adult Swim’s Rick and Morty
- The daily grind: Louis Quail’s photographs of fascinatingly mundane offices