If you find yourself passing London’s Blackfriars Bridge anytime soon, take a second glance at the house at number 20; artist Alex Chinneck has turned an 18th Century livery upside down. Quite literally. Following on from his incredible From the Knees of my Nose to the Belly of my Toes earlier this year, the artist has created Miners on the Moon as the finale to Merge Festival 2013. Using signage recovered from a reclamation yard he has transformed the building, which was erected in 1780 and originally used as a livery stables housing horses and carriages. Cool, huh?
He explains: “The material and aesthetic decisions within the project celebrate the architectural heritage of Southwark and the timeless charm of its fatigued buildings. by presenting a very familiar architectural scenery and narrative in an inverted way, the audience hopefully re-appreciates the buildings and moments of our daily environments that we allow to slip into our subconscious.”
The result is simultaneously subtle and visually arresting, creating ostensibly the perfect public installation. Alex will also be speaking at our December edition of Nicer Tuesdays, which will focus on our creative highlights of 2013.
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- Workwear: animator Paul Layzell on sports and nostalgia in his style
- Promoting academia with zig-zags, giant facial features and old trash: a masterclass from designer Nejc Prah
- Surreal, disturbing, NSFW and utterly thrilling: the work of Jon Rafman
- Lukas Ackermann’s playfully abstract identity for new Zurich culture hub
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- Photographing the choreography and chaos of the England cheerleading team
- Russian photographer Erik Panov's latex and salmon themed fashion shoot
- New Channel 4 identity by creative dream team of 4Creative, Jonathan Glazer, Neville Brody and DBLG
- An insight into The Guardian’s newly released brand guidelines
- Art and architecture get exhibitions and galleries: graphic design should too
- Graphic identity lovers rejoice: “an unprecedented catalogue of modern trademarks” is here