If you find yourself passing London’s Blackfriars Bridge anytime soon, take a second glance at the house at number 20; artist Alex Chinneck has turned an 18th Century livery upside down. Quite literally. Following on from his incredible From the Knees of my Nose to the Belly of my Toes earlier this year, the artist has created Miners on the Moon as the finale to Merge Festival 2013. Using signage recovered from a reclamation yard he has transformed the building, which was erected in 1780 and originally used as a livery stables housing horses and carriages. Cool, huh?
He explains: “The material and aesthetic decisions within the project celebrate the architectural heritage of Southwark and the timeless charm of its fatigued buildings. by presenting a very familiar architectural scenery and narrative in an inverted way, the audience hopefully re-appreciates the buildings and moments of our daily environments that we allow to slip into our subconscious.”
The result is simultaneously subtle and visually arresting, creating ostensibly the perfect public installation. Alex will also be speaking at our December edition of Nicer Tuesdays, which will focus on our creative highlights of 2013.
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- Emma King's publication rewrites Orwell's "1984" using Donald Trump's tweets
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- Bolade Banjo photographs the perseverance of Detroit’s student athletes
- Alex Grigg animates Steve Stoute’s homage to Biggie Smalls
- Billy Clark applies his graphic sensibilities to his minimal yet textured illustrations
- Polaroid’s creative director Danny Pemberton introduces new brand Polaroid Originals
- Artist Dominique Pétrin on creating her very own domestic product
- Universal Everything animate emotive wallpapers for new iPhone devices
- Herburg Weiland’s meticulous editorial designs are typographically-driven
- The Visual History of Type author Paul McNeil selects and dissects his six favourite faces
- Breakdown Press’ Joe Kessler picks out his most-treasured books