If you find yourself passing London’s Blackfriars Bridge anytime soon, take a second glance at the house at number 20; artist Alex Chinneck has turned an 18th Century livery upside down. Quite literally. Following on from his incredible From the Knees of my Nose to the Belly of my Toes earlier this year, the artist has created Miners on the Moon as the finale to Merge Festival 2013. Using signage recovered from a reclamation yard he has transformed the building, which was erected in 1780 and originally used as a livery stables housing horses and carriages. Cool, huh?
He explains: “The material and aesthetic decisions within the project celebrate the architectural heritage of Southwark and the timeless charm of its fatigued buildings. by presenting a very familiar architectural scenery and narrative in an inverted way, the audience hopefully re-appreciates the buildings and moments of our daily environments that we allow to slip into our subconscious.”
The result is simultaneously subtle and visually arresting, creating ostensibly the perfect public installation. Alex will also be speaking at our December edition of Nicer Tuesdays, which will focus on our creative highlights of 2013.
- From big cats to commuters, Reece Wykes creates characters using the subtlest of details
- Back to the Future: what today's creatives can learn from yesterday's design principles
- Moniker’s crisp and colourful laser cut posters for Designer Fund
- Sexual, surreal and disturbing: the weird work of super-skilled Claudia Maté
- Fashion photographer Marie Zucker widens her scope towards personal photographic travelogues
- Kyle Platts and Andy Baker's animation takes us on a kaleidoscopic trip through the park
- Anna Ginsburg explores sex and female orgasms in this hilarious animation (NSFW)
- Arne Svenson’s portraits of his New York neighbours taken through apartment windows
- The Co-op returns to its old “clover leaf” logo from the 1960s
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- Ace new Laura Callaghan work calls BS on the idea that we can be "whatever we want to be"
- Strange posters and superb typography from Venetian studio Tankboys