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An animation of a six-panel grid showing people getting haircuts in a barbershop. The images are in a grainy, high-contrast style with subtle movement. One panel includes a sign that reads “LINEUP BEARD RAZOR DESIGN”.

Brandon Tauszik captures barbershops through these beautifully subtle gifs 

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Date
16 October 2015

Photographer Brandon Tauszik has focused on the barber shops of Oakland, California, in his series Tapered Throne. Brandon’s interest in barbershops was piqued when he realised how many there were where he lives. “I noticed a total city-wide lack of corporatised barbershops like Supercuts or Fantastic Sams. But there are dozens of independently owned barbershops,” he explains.

Oakland is a diverse city with a large African American community and Brandon feels this has helped the city’s flurry of barbershops. Before photographing anything, the photographer spent time in the shops and with the owners, and it became clear that for many, barbershops are more than a functional place to get a haircut. “The men there illuminated the differences between cutting straight and kinky hair but also the importance of these spaces to the black community in Oakland. So I set out to create a portrait of Oakland’s barbers and the less visible roles they assume.”

An animation in which a barber uses clippers to cut a person’s hair. The scene is rendered in a high-contrast, grainy style with subtle movement.
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Brandon Tauszik: Tapered Throne

A person with braided hair carefully applies makeup to another person’s face. The image is rendered in a high-contrast, stylised monochrome palette.

As cornerstones of the community providing a safe and comfortable environment for people to talk and form friendships, it was important to Brandon to give a glimpse into the barbershop owners’ stories. “Most of these barbers haven’t had the privilege of attending universities and they live mostly in neighbourhoods that deal with chronic violent crime,” he explains. “Many of these men have overcome struggles, worked hard to learn a trade, and now earn a wage for themselves and their families. The barbers I met were incredibly welcoming and warm, and genuine craftsmen who take great pride in the work they do.”

What elevates Brandon’s series is his interesting use of gifs to present the images. The repetitive movements of the barbers are on a constant loop, mimicking the turning of a barber’s striped pole outside of a shop. Shot in black and white, their actions are subtle, thoughtful and personal, and it’s fascinating to see the more pensive moments of a barbershop. “At the heart of a gif is the loop. You get the spotlight aspect of a photograph but you’re able to spend time within the moment as the same sliver of time passes on infinite repeat,” says Brandon. “I work with both film and photography, but gifs seem to exist between the two mediums. I shot Tapered Thrones entirely with video footage to be turned into gifs, hoping that the images allow for a deeper connection between the subject and the viewer that still photography might not have accomplished.”

An animation of a person with a beard resting their head on their hand. The image is rendered in a grainy, high-contrast style with a muted teal and grey palette.
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Brandon Tauszik: Tapered Throne

A grainy, black and white photo of a barbershop. A barber leans over a seated person to cut their hair, while another person watches from a chair in the background.
An animation in which a person sits in a barber’s chair, wearing a cape and looking at the camera. Behind them, a barber in a checked shirt and apron looks on in a cluttered shop.
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Left

Brandon Tauszik: Tapered Throne

An animation of a person in a workshop, holding a spray can and a small tool. The image has a grainy, high-contrast aesthetic with a muted teal and grey colour palette, and the movement is subtle.
A black and white photo of a barbershop with wood-panelled walls. A barber stands behind a chair, cutting a person’s hair while another person watches from the background.
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Brandon Tauszik: Tapered Throne

A person with glasses and a beard sits relaxed in a chair, holding a glass. They are surrounded by towering, cluttered piles of books and papers in a room filled with posters, including one for the “Raiders”.

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About the Author

Rebecca Fulleylove

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Rebecca Fulleylove is a freelance writer and editor specialising in art, design and culture. She is also senior writer at Creative Review, having previously worked at Elephant, Google Arts & Culture, and It’s Nice That.

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