David Benjamin Sherry’s photographs from his new project Astral first remind me of Rainbow Dust, the hideously delicious sour sugar crystals that came in a long tube mixed with Solero lollies. More beautiful of course, he’s created colourful, monochromatic topographical landscapes that crumble in a spectrum of rocky fluorescents.
Travelling through the great National Parks of Utah, Nevada, New Mexico, Arizona and California, David used film to capture these vast terrains of dirt and rock. Then after mixing and intensifying colour in his darkroom, he manages to achieve a ridiculously radiant and fresh saturation of colour that I’ve rarely seen without the use of digital means. As well as the different textures, it’s the titles for these images that I’m really loving like Tangerine Sweep, Mint Plateau as they make my mouth water even more.
- Brooklyn-based Jyan Ku’s naive pastel works are oddly charming
- Jules de Balincourt’s vivid paintings of public spaces play with reality
- Harry Israelson photographs a renaissance fair in sunny California
- Pentagram’s Domenic Lippa designs the inaugural issue of YES & NO Magazine
- Introducing graphic designer Moonsick Gang
- “Non-league football is our punk rock” – Alex Brown’s work for Eastbourne Town FC
- Animator and director James Curran’s amusing 30-day Gifathon project in Tokyo
- Photographer Sophie Mayanne’s new personal project celebrates imperfection (NSFW)
- Animator Saiman Chow’s trippy idents for Adult Swim’s Rick and Morty
- The daily grind: Louis Quail’s photographs of fascinatingly mundane offices
- "Before I was a graphic designer I had nearly no idea what one was": meet Austin Redman
- Matthew Raw: the east London artist making clay great again