For the vast majority of the year I am a pretty calm, placid bloke but as soon as I get near a football pitch that changes. Whether playing or watching, for those 90 minutes I am oddly happy to direct an endless flow of angry, petty and needling invective at the referee. It’s shameful, but I can’t stop myself – there’s just something about that sense of a common enemy. It’s exactly this kind of nonsense photographer David Imms is exploring in his great new work for the ever-impressive LAW magazine.
His four portraits of Sunday League referees, taken on London’s famous Hackney Marshes, are an attempt not just to understand, but to lionise these figures who facilitate our national pastime. As David says: “This mini-series is about the home-made thrown together referee attire, the individuality and personality of a bloke that’s always seen as the bad guy. Maybe it’s about that £30 for the 90 minutes of abuse from a load of hungover kids? But I doubt it. Let’s raise a metaphorical glass –in a game full of false idols, these guys are the working class heroes a lot of these kids need.”
It’s the second time in successive issues LAW has stepped up with some really good photography projects, following on from the brilliant Wet Look 93 celebration of the days of luminous blue hair gel.
- Rob Flowers, Roberto Rosolin, Liv Siddall and Greg Barth at Nicer Tuesdays October
- Milou Trouwborst's refined, simplistic and melancholic illustrations
- "It was strangely liberating" – Christoph Niemann on creating his new book Sunday Sketching
- Designer Okuyama Taiki encourages you to “play freely” with his experimental posters
- Gijs Henselmans’ illustrations: absurd, gruesome, but always hilarious
- All That Glitters: inside the Barbican’s “vulgar” catalogue
- Bompas & Parr explores the strange world of sploshing (NSFW)
- Working Not Working reveals the top 50 companies creatives would kill to work for
- Kodak returns to its 1970s symbol, joining the retrobrand bandwagon
- Kodak unveils the Ektra: its first ever smartphone
- Retracing and recreating historic reggae record sleeves with photographer Alex Bartsch
- William Knight's socially conscious portfolio of graphic design