For the vast majority of the year I am a pretty calm, placid bloke but as soon as I get near a football pitch that changes. Whether playing or watching, for those 90 minutes I am oddly happy to direct an endless flow of angry, petty and needling invective at the referee. It’s shameful, but I can’t stop myself – there’s just something about that sense of a common enemy. It’s exactly this kind of nonsense photographer David Imms is exploring in his great new work for the ever-impressive LAW magazine.
His four portraits of Sunday League referees, taken on London’s famous Hackney Marshes, are an attempt not just to understand, but to lionise these figures who facilitate our national pastime. As David says: “This mini-series is about the home-made thrown together referee attire, the individuality and personality of a bloke that’s always seen as the bad guy. Maybe it’s about that £30 for the 90 minutes of abuse from a load of hungover kids? But I doubt it. Let’s raise a metaphorical glass –in a game full of false idols, these guys are the working class heroes a lot of these kids need.”
It’s the second time in successive issues LAW has stepped up with some really good photography projects, following on from the brilliant Wet Look 93 celebration of the days of luminous blue hair gel.
- American Studies: Jeremy Liebman unpacks his father’s photography archive
- Christian Pardini's Studio Flat creates neat type-based posters, postcards and identity design
- Lynnie Zulu decorates her exotic characters in punchy hues and patterns
- Mark Manzi makes a spectacle of spectators at the Queen’s 90th Birthday
- French studio Large’s confident and consistent designs for electronic music mag Trax
- New work from Supermundane show Everything Connects
- Don't Hug Me I'm Scared - an exclusive interview with Duck, Red Guy and Yellow Guy
- The Imperfection Booklets by O.OO explain the nuances of Risograph printing
- Reactions to the referendum and our weekly Best of the Web
- Babak Ganjei paints 90s sitcom sitting rooms. But which one's which?
- Pop, subcultures and the future of graphic design: an interview with Experimental Jetset
- Oliver Curtis photographs the world’s most famous monuments, the wrong way round