Working across many different areas can be tricky but David Rudnick makes it look easy with his prolific portfolio of super cool work.
He knows how to keep things fresh and fun – creating a 12" photo vinyl trompe l’oeil – but he can also do serious as demonstrated by his work on The Yale Literary Magazine or combining the digital and print worlds for Symbol magazine.
And as well as album sleeves and publications he produces a host of killer posters for club night Make Time. Rudnick designs the perfect promise for a good night out (come on, all those wiggles and colours!) with a really distinctive use of type too.
Party on David!
- Submit Saturdays: Take advantage of your website to show varied work as a creative collective
- Parisian upstarts Ill-Studio give L’Officiel magazine new life
- Knock knock. Who's there? It's Best of the Web!
- William Knight's socially conscious portfolio of graphic design
- Alan Fears’ papier mâché heads are a humorous portrait of ourselves
- The quiet humour of illustrator Elena Xausa
- Reasons Not To Do Graphic Design by Yotam Hadar
- Nostalgia in branding: top design studios analyse the NatWest and Co-op retrobrands
- Google and Monotype launch Noto, an open-source typeface family for all the world’s languages
- The only way is ethics: what are the moral obligations of a graphic designer?
- Rachel Levit illustrates contemporary relationships in new book
- Creative agency INT Works relaunches as Anyways, with a playful graphic identity