Working across many different areas can be tricky but David Rudnick makes it look easy with his prolific portfolio of super cool work.
He knows how to keep things fresh and fun – creating a 12" photo vinyl trompe l’oeil – but he can also do serious as demonstrated by his work on The Yale Literary Magazine or combining the digital and print worlds for Symbol magazine.
And as well as album sleeves and publications he produces a host of killer posters for club night Make Time. Rudnick designs the perfect promise for a good night out (come on, all those wiggles and colours!) with a really distinctive use of type too.
Party on David!
- "Where’s my community?": Skin Deep and POC on the need for diversity in the film industry
- Jee-ook Choi conveys complex ideas using fine linework and muted colours
- Photographer Mehdi Lacoste on working with Actress
- French designer Victoire Coyon’s understated portfolio
- Unit Editions’ upcoming book on the unparalleled work of Paula Scher
- A creative composite of illustration: ten years of Christoph Ruckhäberle’s Lubok
- A new national identity: Smörgåsbord Studio rebrands Wales
- Graphic design gems: Chicago gang business cards from the 1970s and 80s
- Photographer Dougie Wallace captures the super rich spenders of “Harrodsburg”
- “Romance in a sort-of fantasy world”: photographer Molly Matalon's new work (some NSFW)
- Studio Michael Satter’s sophisticatedly simple graphic design portfolio
- Harry Pearce and Pentagram create a new identity for Pink Floyd’s record label