Working across many different areas can be tricky but David Rudnick makes it look easy with his prolific portfolio of super cool work.
He knows how to keep things fresh and fun – creating a 12" photo vinyl trompe l’oeil – but he can also do serious as demonstrated by his work on The Yale Literary Magazine or combining the digital and print worlds for Symbol magazine.
And as well as album sleeves and publications he produces a host of killer posters for club night Make Time. Rudnick designs the perfect promise for a good night out (come on, all those wiggles and colours!) with a really distinctive use of type too.
Party on David!
- Photographer Maxwell Conrad Granger shows the goofy beauty of youth
- Serpentine appoints Francis Kéré to build "tree-inspired" 2017 pavilion
- Director Nick Roney on taking The Lemon Twigs to his grandparents’ house
- Designer Lennart Van den Bossche’s typographic work combines "logic and beauty"
- Meet the speakers: Carl Burgess, Oscar Hudson, Mirka Laura Severa and Olivia Ahmad
- Varied, playful and slightly odd drawings from Japanese illustrator Summer House
- Grope Sans: a very rude typeface by Bompas & Parr
- Japanese graphic designer Ryu Mieno creates type-heavy works fizzing with energy
- The reductive and exacting work of graphic designer Laura Prim
- Why creative education for advertising is stuck in the dark ages
- Leipzig-based graphic designer Anja Kaiser takes us through her portfolio
- Nicolas Jaar releases Network, a book inspired by radio