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    Eric Yahnker: Sticks & Drones

Exhibition

Exhibition: In London? Check out Eric Yahnker's incredible Sticks & Drones

Posted by Madeleine Morley,

Arriving at Paradise Row to see the new show by the iconoclastic Eric Yahnker provides a spectacular antidote to the madness of Oxford Street experienced only moments before. Greeted by a sign that reads “We the Peephole,” Eric’s solo UK debut and exhibition of new work boldly critiques the plasticity of pop and the contemporary political landscape: a wonderful relief after walking through a street rife with neon shops like Anne Summers and places that sell plastic fridge magnets of Diana and Robbie Williams.

Eric’s precise pencil drawings and witty, visual puns find the connections and collisions that exist between pop and politics: Putin sheds a tear in Crimea River, and Obama and Miley Cyrus exchange heated glances as Miley sweeps past on her wrecking ball.

The moment when you register a pun is fantastic and it’s impossible to suppress your giggles, but the work also resonates with meaning in an extremely nuanced and thought-provoking way. Eric is an extremely talented artist with a sharp and astute mind, and his large scale satirical commentaries on contemporary America are a joy to see and experience. So next time you find yourself on Oxford Street, Sticks & Drones is definitely worth ditching the shops for.

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    Eric Yahnker: Sticks & Drones

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    Eric Yahnker: Faith Face

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    Eric Yahnker: Crimea River

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    Eric Yahnker: Short Shorts Shorty

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    Eric Yahnker: Strikes & Drones

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    Eric Yahnker: Speed Bumps

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    Eric Yahnker: Fingering Crisco

Oo-xtcya

Posted by Madeleine Morley

Madeleine joined It’s Nice That as a freelance editorial assistant in May 2014 having graduated from Cambridge University where she edited the student newspaper. In the autumn of 2014 she will begin her Masters course at The Courtauld Institute of Art where she will specialise in architecture.

Most Recent: Exhibition View Archive

  1. Gwlist18

    Even if you haven’t seen it, you’ll have heard of it, because Gone With The Wind is still, 75 years after its release, the most successful blockbuster of all time. David O. Selznick’s multi-Oscar winning film has weevilled its way deep into the American – and the world’s – subconscious, creating so vivid a cultural memory we’re almost tricked into believing we lived through it all too. Even a lass like me, “southern” only in the east London sense of the word.

  2. Eslistst-columba's-wells_-londonderry-(derry)-_-n-ireland_-1965-(c)-edwin-smith_-riba-library-photographs-collection

    Edwin Smith’s England is a faraway place, and yet a familiar one. It’s a land inhabited by long-skirted ladies with perms, where brass cash registers are used on high streets fronted by butchers and bakers and grocers. No surprise then that the people’s poet Sir John Betjeman dubbed Smith a “genius at photography” because he has, in his vast collection of photographs of city and countryside, inside and outside, captured the essence of the now-distant England portrayed in the writer’s verse.

  3. List

    Imagine for a moment that the shoebox under your bed was filled not with photos of your Great Aunt June snoozing on the sofa last Christmas, but with photographs taken in space by astronauts on Apollo 14. For a lucky few at NASA this is (almost) true, and fortunately they’re more than happy to share their treasures with us proles in the form of a new exhibition at London’s BREESE Little Gallery.

  4. List

    20 years ago in 1994, little known designer Eike König set up his “graphic design playground” Hort, creating a community in the centre of Berlin where creatives could collaborate on ideas and client briefs side by side. Nowadays, the playground is slightly bigger, undertaking work for Nike, The New York Times and Walt Disney among others, but the underlying emphasis on collaboration and experimentation remains exactly the same.

  5. Olafurlist

    “Riverbed is running.” So tweeted Studio Olafur Eliasson yesterday – a poetic press release if ever I heard one – to announce the opening of the Danish-Icelandic artist’s latest epic installation. Something of a titan in the art world, having already created moon, he’s now built riverbed in the south wing of the Louisiana Musuem of Modern Art in Denmark.

  6. List

    If, while walking down the street, flicking through a magazine or sitting on a bus recently you’ve found yourself looking at a movie poster, you’re probably in some way come into contact with the influence of Hans Hillmann. When the German graphic artist began producing film posters in 1953 at the height of the Modernist era, few realised he’d have such a profound effect on the industry, but his bold, Minimalist-inspired creations set a new standard for .

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    I’ll be honest and say that usually when I see the words “exquisite corps” in relation to a creative project, I immediately lose interest. So often this collaborative idea – used by the surrealists as a liberating drawing exercise – is used without imagination or flair. But a current exhibition at Walls Gallery in Amsterdam looks like a fantastic exception to my rule.

  8. List

    Dutch illustrator Stefan Glerum is one of the most accomplished image-makers working today. His latest show at London’s Kemistry Gallery is a whirlwind of references; from Art Deco to Bauhaus, Italian Futurism to Russian Constructivism; criss-crossing time and space with enviable style. Called simply Five Years of Work By Stefan Glerum, the exhibition features work with which even casual observers may be familiar, but that doesn’t in any way lessen its impact. In fact it’s exhilarating to go back to, say, the Bayern State Opera posters he made with Mirko Borsche and consider them anew in the wider context of his portfolio. Quite simply see this show if at all possible.

  9. List

    It’s not a flawless guide, but you can often tell how significant the subject of an exhibition is based on who writes the foreword in the show’s catalogue. That Milton Glaser contributed an essay for Ivan Chermayeff: Cut and Paste at The De La Warr Pavilion is a good guide that if you’re interested in graphic design, he’s a name with which you should be familiar.

  10. Main10

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  11. List

    Bold printing, toying with scale, subverting nature and confounding the senses seem to be the defining elements of Richard Woods’ work. The artist and designer made a name for himself mimicking wooden patterns in bright colours on the surface of furniture, but his skills extend beyond simple tables and chairs. In his latest show at Albion Barn he’s been given free reign to customise every inch of his exhibition space; the walls, floors and furnishings of an area in which he’s exhibiting a selection of original prints. It’s a pretty bold move to allow an artist to reinvent the entire gallery, but Richard has undertaken the task with characteristic flair, turning the whole environment into a vibrant, cartoonish set in which his work seems entirely at home.

  12. List

    I know what you’re thinking, you’re thinking; “How on earth did that priest train a dolphin to carry him like that?” Or maybe you’re thinking; “Where did the photographer have to stand to capture that image?” Or perhaps, in fact, you’re thinking; “This HAS to be fake.” But all of these lines of inquiry are valid in the world of Joan Fontcuberta, the Spanish artist and photographer who’s latest exhibition has just landed at The Science Museum’s Media Space.

  13. Ws

    It’s not a revelation that festivals of today are not what they used to be. Flower garlands have been replaced with plastic ones that you can buy at Topshop, barely adolescent bands mime where once musicians gave career-changing performances and free loving, all-night dancing sun drenched affairs have morphed into a race to see who can snog a semi-famous TV presenter first. We’re not bitter about it though, especially not when we’ve got photographs like this to remind us of the golden age.