The key to curating any big exhibition is structure – clear enough to help users navigate the space but not so heavy-handed that they feel patronised or put upon. If you can create something that looks great then so much the better, and Fabio Novembre’s work on the Triennale Design Museum’s Grafica italiana show ticks all the right boxes.
A simple but vibrant colour coding system helps make sense of a show that encompasses all sorts of Italian graphic design, including letters, books, magazines, culture and politics, advertising, packaging, visual identity, signposting and video. But it also adds a really pleasing visual element to a celebration of communication and aesthetics which adds enormously to the show’s appeal.
In a peerlessly charming write-off on his site, Fabio cheerfully admits that he was approached only after Enzo Mari pulled out and it begins: “It takes wisdom and cunningness to construct a sacred place for the Muses,” before going on to reference Goethe, Newton and various classical allusions.
It also includes the wonderful observation that: “There is only one Italian school of graphics, even though it has no proper structure, hardly surprising since the same could be said about everything connected with our dear old unpredictable country.”
The exhibition runs until February 24 2013.
- Danish illustrator Rune Fisker’s clean, windswept surrealism
- Filmmaker Alice Dunseath presents a meditative reflection on life
- Edinburgh graduate Jack Fletcher's beautiful woodcut illustrations
- There Is' ace new typographic projects for Wired and New York Times magazine
- Clase bcn's bright but elegant identity for a Barcelona concert hall
- Craig Gibson's photography is sincere and refreshing
- Yolanda Dominguez asks kids to describe what they see in fashion campaigns
- Street photography shot on an iPhone during fake phonecalls by Jay Giampietro
- Tokyo 2020 Olympic and Paralympic logos unveiled
- Illustrated campaign for Volkswagen uses parents lying to children as a metaphor
- Should creatives ever accept unpaid work? We ask some seasoned experts
- We get a sneak peek of TASCHEN's new book documenting 50 years of Pirelli