If I really like a piece of writing I get an uneasy dip in stomach, not just because it’s moved me but out of annoyance because I didn’t think to write it first. It’s admiration more than anything, that’s what I tell myself anyway. With the classics I can’t really begrudge the ghost of an author, but I can clench my fists at their ability to get their writing to stand the test of time. Charles Dickens being one of them of course, who incidentally celebrates the bicentenary of his birth this year.
The people at GraphicDesign& are performing their own salutation to the author with their latest project Page 1: Great Expectations which brings together 70 leading designers and typographers and their interpretations of the first page of the Charles Dickens’ novel Great Expectations. It’s a wonderful idea and the results are even better being collated into book form. The relationship between layout, type and how we read books is all considered and it’s fascinating seeing the various interpretations creating new experiences for the reader of this well-known text.
- Cheeky, irreverent and vivid illustrations by Thomas Hedger
- Brilliant branding and a cracking It’s Nice That collaboration: introducing Unmade
- Director collective Canada creates raunchy, psychedelic video for Tame Impala (NSFW)
- Stylish designs that aim to make online gift-buying as fun as "walking around a concept store"
- Alex Sheridan’s hilarious shots of comedian David O’Doherty in sports memorabilia
- Cult magazine Nova and its nods to “eroticism and extortion” photographed in a suitably 70s setting
- Anthony Burrill tells us about his numerous Etsy WORK HARD rip-offs
- “I wouldn’t recommend trying to make it as an illustrator to anyone”: straight-talking McBess
- Jonathan Barnbrook talks us through designing David Bowie's new album artwork
- Japanese illustrator Nimura Daisuke is back with his charmingly naughty gifs
- Colourful masses with a Memphis aesthetic in Mariano Pascual’s illustrated alphabet
- Making branding with a purpose: what can we learn from the Bauhaus?